Rachid El Ouali
出生 : 1965-04-03, Rabat, Morocco
略歴
Rachid El Ouali [Arabic: رشيد الوالي] is a Moroccan actor producer, and director, born in Rabat, on 3 April 1965. Began his career in 1983 by passing a Dramatic Art Contest at the National Theater Mohamed V, and studying for 4 years under the leadership of a great Moroccan director: Abbass BRAHIM.
He started on the scene for the 1st time in 1986, and he quickly passed on to television where he playing a multiple roles of series and TV films.
His first film role was in 1994 in "Thief of Dreams" by Hakim Noury.
In 2004, after 20 years of career, he passed behind the camera with a short film "Nini Ya Med" In 2006 he founded his own production company CLAPRODUCTION; Then he made the short films "Dawn", "The Fly and Me" and "the deceased".
He présented a famous TV shows like : « LALLA LAAROUSSA » over two successive years
2007 et 2008, and " WHO WANTS TO BE A MILLIONAIRE" in 2009.
Since 2004, , UNDP Goodwill Ambassador.
Is Considered among the 10 most popular personalities in Morocco according to an international survey in 2006.
Aziz
Chef Rachid invests all his money to open his own Amusement park, but the project fails, and in a desperate attempt to save it, he reluctantly enters into a partnership with somebody, unaware that he may destroy all his dreams, then Chef Rachid falls into an exciting world of crime that turns his life and that of his family into a real hell.
Director
Atil, born without arms, living in the care of his father, Noah, who lost his wife to drowning in the river. Jimana, came to Noah after putting an end to the life of her stepfather, the tribal elder, who raped her, forcing the three parties into the path to escape the dock with a murder.
Nouhe
Atil, born without arms, living in the care of his father, Noah, who lost his wife to drowning in the river. Jimana, came to Noah after putting an end to the life of her stepfather, the tribal elder, who raped her, forcing the three parties into the path to escape the dock with a murder.
A long-term political prisoner leaves the prison with the idea of taking revenge on the person responsible for his torture in prison: a former soldier who is preparing to travel with his family to southern Morocco.
A man one day discovers a clone that looks like him. Not satisfied with being a creature that no one wants to have in his paws, the clone steals his entire life from the human by living it in his place...
Brahim
In 1960, Moroccan Jews began migrating en masse to Israel, encouraged by immigration officers of the new state. The film tells the drama of the story of two families, one Jewish and one Muslim, joined by a close friendship but whose destinies are separated. Selected by Morocco as a candidate for the 2008 Oscar for Best Picture Foreign Language.
Said, a Moroccan émigré in Switzerland,arrives one day in a village in the High Atlas. He announced from the start the reason for his arrival in the village. He did not come to go sightseeing or visit family, but his reasons are professional or rather pecuniary. Said tells villagers that he has come to recruit young people who, after an accelerated training in Europe, will become future athletes like Hicham El Guerrouj. Soon the inhabitants of the village, women and children, are interested. They all dream of changing the course of their lives.
As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).
Fakhita discovered that her husband's daughter has a child from his mistress. He gets angry at him and forces him to divorce her only child, but the latter strongly rejects her attachment to her and her weakness. Which makes the need to pour out her anger by preventing him from using the work car, preventing the servants from carrying out any of his orders, and determining his powers in the company, which will make him plan to marry his mother in order to return to his previous position.
Choukri
Adil and Sanae, two young Moroccans studying in Canada, they live a love story that makes them hasten to return home for marriage. However, Sanaa's affluent family does not agree with this relationship, which it considers to be a bit hasty, especially since the fiancé is descended from a poor assets, but marriage is still done. After the wedding Adel returns to Canada shortly before his visa expires, while Sanaa and her Canadian friend Louise, they stayed for another week. On the day trip from Casablanca airport, customs officers find their wedding videos filled with cocaine. Inspector Shukri is driving a thorough investigation to find out the source of cocaine to arrive finally at surprising results
“Rahal” immigrated to Europe forty years ago. Scandalized by the behavior of his eldest son who participated in a heist, he decides to return to Morocco for good. In his native country, “Rahal” intends to take matters into his own hands. Events take another detour.
Mustapha, a young Moroccan living on small shots, meets a couple of Spanish tourists. The latter dragged him into a heavy traffic of hashish. Forced to flee his country, he finds himself on a makeshift boat, among other men. They are determined to clandestinely reach the Spanish shores in the hope of a bright future.
The film revolves around a comic character in which he sarcastically discusses many of the issues in Moroccan society, with El Hadji El Souledi, a candidate for elections in Casablanca, whose character is a symbol of illegal wealth and moral corruption. His life is divided among bars, nightclubs and prostitution. While the police officer Adel and beautiful names that are associated with the life of the child and trying to get rid of it and corruption so that they succeed in the latter in it.
Adil
After completing his studies and returning home, Adil settled in the city of Ifrane and works as a professor of art education, but the ghost of the girl he had previously known and abandoned He's been follow him.
Directed by Farida Benlyazid.
Hamid is shared between his wife Souad, his mistress Leïla, and his mother-in-law Hajja. Zhor, the servant is the guardians mistress. Brahim is Hamids scapegoat, until the day when he catches him red-handed. Hamid is blackmailed...
Hamid
Saida, a young executive in a big company, meets Hamid, a 35-year-old computer scientist. They decide to get married, convinced both to have made the right choice. After a few years of happiness and stability, their marriage begins to rock
Soldier
David, now an old man, is still king of Israel. Among his sons, the ambitious Adonijah and the clever Solomon. The two young men are fierce rivals, since both are prospective heirs to the throne and only one can be successful.
Dr. Taoufik Raoui
A young woman attending a conference in Tangier with her husband is kidnapped and raped, but rebuilds her relationship with her husband on a trip to the south of Morocco.
An old journalist, Omar, remembers the 70s and Salim a young 35-year-old journalist who had dared to investigate a corrupt senior state official. Omar knows it's a fight lost in advance but Salim refuses to let go. He resists because his duty as a journalist and his contempt for the untouchables who believe themselves above the law incite him to take all risks. But one day, the newspapers announce the death of Salim, cowardly murdered by a burglar. In short, a simple fact.
During his 5 years of detention, Mehdi has questioned his life, and is considering the future. The future: Canada, where he wants to purify himself to be reborn again. Fate wanted him to meet Driss, a young marginal. Everything separates the 2 men. However, they have one thing in common: loneliness. A great friendship will be born between the 2 men, who will reveal their life, their anxieties and their dreams.
The film is considered one of the first Moroccan cinematic tapes that tried to convey Moroccan reality with its traditions and customs to the cinema screen in a bold way, especially the issue of sex in Moroccan society, an issue that cinematographic works have always avoided before.
Producer
Screenplay
Director
