Helena Albergaria

The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.

After crashing into a party, a young man discovers that this will be his last night.

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

1986. In the waiting room of a clandestine abortion clinic, the receptionist, a patient and a accompanying await the passage of Halley's comet, while the doctor faces difficulties with one of the procedures.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

A look of the 21st century for one of the most important cultural movements in Brazilian history. The production brings a mix of interviews, concerts, artistic interventions and actors in small sketches. An intersection of the social and artistic contexts of 68 with the current one.

With her husband having lost his job, Helena opens her own grocery store, but is soon plagued by strange occurrences.

In a country house, the patient and her husband get involved with the young psychiatrist. The noises of the forest surround them.

Clarisse notices a small green leaf growing out of her right arm.

A brief occurrence at the hospital waiting room.