Kimio Watanabe

出生 : 1918-01-01, Chiba Prefecture, Japan

死亡 : 1983-12-31

略歴

Known more as a cinematographer throughout the 1940s to the 1960s in Japan, Kimio Watanabe (1918–1983) has a decorated career in film. One of his productions, The White Heron, was screened and nominated for the Palme d’Or in the 1959 Cannes Film Festival. Watanabe also lent his skills to Kon Ichikawa – the director of Tokyo Olympiad – in his classic Bridge of Japan.

参加作品

時の崖
Director of Photography
A film adaptation of the second play from "The Man Who Turned Into A Stick" by Kōbō Abe himself.
あゝ陸軍隼戦闘隊
Director of Photography
In the prewar days leading up to the Second Sino-Japanese War of 1937, head flight instructor Lt. Katō Tateo of the Imperial Japanese Army-Air Corps trains new volunteers from the Army's Infantry to become Japan's next generation of fighter pilots at the Tokorozawa Flying School. Flying Kawasaki Ko-4 biplanes, Lt. Katō will train both friend and future foe alike. But as war in China breaks out, Katō now in command of the 5th Rentai will take his untested men flying antiquated planes into aerial combat against the Chinese Air Force who is now headed by Lt. Cho who Katō both earlier befriended and personally trained himself. While Katō's squadron ultimately achieves air superiority over the skies of Manchuria, it comes at a high price in men to which each loss carries a heavy burden that he alone must carry. As the war widens into the Second World War, Captain Katō must battle an ever advancing array of deadlier new enemies flying ever more modern fighter planes.
いそぎんちゃく
Director of Photography
The story of a sexy girl with a passion for attracting men and counting the money she entices from them with her body.
女賭場荒し
Director of Photography
Third film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
憂國
Director of Photography
Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko.
東京パラリンピック 愛と栄光の祭典
Screenplay
1964年秋、東京で開催された第18回オリンピックが成功に終わり、街が次第に落ち着きを取り戻したころ、もう一つの国際スポーツ大会が開幕する。それは《国際身体障害者スポーツ大会》。この時、世界で初めて《パラリンピック》という愛称が用いられ、以後この名で親しまれることに。当時の皇太子ご夫妻も臨席して開会式が催された後、いよいよ大会がスタート。53人の日本人参加者も、各国の選手たちに交じって競技に励む。
東京パラリンピック 愛と栄光の祭典
Director of Photography
1964年秋、東京で開催された第18回オリンピックが成功に終わり、街が次第に落ち着きを取り戻したころ、もう一つの国際スポーツ大会が開幕する。それは《国際身体障害者スポーツ大会》。この時、世界で初めて《パラリンピック》という愛称が用いられ、以後この名で親しまれることに。当時の皇太子ご夫妻も臨席して開会式が催された後、いよいよ大会がスタート。53人の日本人参加者も、各国の選手たちに交じって競技に励む。
東京パラリンピック 愛と栄光の祭典
Director
1964年秋、東京で開催された第18回オリンピックが成功に終わり、街が次第に落ち着きを取り戻したころ、もう一つの国際スポーツ大会が開幕する。それは《国際身体障害者スポーツ大会》。この時、世界で初めて《パラリンピック》という愛称が用いられ、以後この名で親しまれることに。当時の皇太子ご夫妻も臨席して開会式が催された後、いよいよ大会がスタート。53人の日本人参加者も、各国の選手たちに交じって競技に励む。
喧嘩犬
Director of Photography
黒の挑戦者
Cinematography
Young lawyer Jiro receives a late night phone call from a distraught woman sending him on a journey to uncover corruption and exploitation stemming from those at the very top of society.
停年退職
Director of Photography
父は停年期、 娘は適齢期、息子は反抗期、部下は失恋期、内外そろって繁忙期!
御身
Director of Photography
Akiko lives with her brother Toshio in suburban Tokyo working in different companies. One day, Toshio loses 500,000 yen which he was holding for his section chief, and as he is unable to return the money, tries to kill himself. Akiko determines to obtain the money by selling her chastity and soon becomes the mistress of Hasegawa, for 500,000 yen. Hasegawa gives her the money but does not make advances. Before she became Hasegawa's mistress Akiko was in love with Wake, who works in the same Company. Gradually Akiko begins to develop a liking for Hasegawa and in turn, her love for Wake gradually weakens...
江梨子
Director of Photography
Japanese "kayo" film centered around the song "Eriko" by Yukio Hashi.
女は夜霧に濡れている
Director of Photography
A love melodrama.
Uta andon
Director of Photography
流転の王妃
Director of Photography
Pu Zhe , the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family - all in the interest of the Japanese rulers , which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother , while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94) , brother of the " last emperor " Puyi and his second wife, Marquise Hiro Saga (1914-87).
白鷺
Director of Photography
The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.
共犯者
Director of Photography
Based on the short story of the same name by Seichō Matsumoto.
赤線の灯は消えず
Director of Photography
赤線の灯は消えたが世間の冷たい目と暴力の手で迎えられる彼女達!女が無自覚なのか?社会が悪いのか!悲しい中にも楽しい生活を描く哀調社会劇。「大阪の女」を共同脚色した相良準のオリジナル・シナリオを、「愛河」の田中重雄が監督、「大阪の女」の渡辺公夫が撮影した。「大阪の女」の京マチ子・船越英二、「巨人と玩具」の野添ひとみ、他に根上淳・小野道子らが出演。色彩は大映カラー(アグファ・カラー)
永すぎた春
Director of Photography
Adaptation of the Yukio Mishima novel.
日本橋
Director of Photography
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
宇宙人東京に現わる
Director of Photography
Large star shaped aliens travel to earth in hopes of warning them about an oncoming catastrophe. To prevent panic about their appearance, one alien takes the form of a popular singer.
婦系図湯島の白梅
Director of Photography
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
婦系図湯島の白梅
Art Direction
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
母山彦
Director of Photography