Michael J.F. Scott

参加作品

Samson
Producer
After losing the love of his life to a cruel Philistine prince, a young Hebrew with Supernatural strength defends his people, sacrificing everything to avenge his love, his people, and his God.
Escape from Mars
Producer
Five astronauts make the first manned trip to Mars in the second decade of the 21st century. They must battle and overcome inferior computer components, corporate greed and indifference, and their own personal problems, as well as the surprises that the Red Planet has in store for them.
Nights Below Station Street
Producer
A pregnant teen has difficulty accepting her father and mother, yet longs to keep the family together.
Heck's Way Home
Screenplay
After getting lost the day his family travels 2,000 miles in preparation for a move to Australia, this clever, loyal, 'map reading' dog begins an amazing cross-country journey to find them.
Heck's Way Home
Director
After getting lost the day his family travels 2,000 miles in preparation for a move to Australia, this clever, loyal, 'map reading' dog begins an amazing cross-country journey to find them.
Spirit Rider
Director
Jesse Threebears is a troubled Native-American teen who has been tossed from one foster home to the next since his mother died when he was an infant. Finally, he is taken in by his grandfather who, after a ten year stint in prison, is living on the reservation. With the help of his grandfather and several others who live on the reservation, Jesse begins to learn about his heritage and how to come to terms with his troubled life.
Lost in the Barrens II: The Curse of the Viking Grave
Director
An archaeological expedition journeys to Manitoba, Canada, in search of a legendary crucifix supposedly buried in an ancient Viking grave.
Karate Kids
Producer
Two indigent street children in a developing country become the target of an HIV positive pedophile who attempts to lure them in with money.
Lost in the Barrens
Executive Producer
The story of two very different boys in the Canadian wilderness. They must learn to depend on each other in order to survive.
Lost in the Barrens
Director
The story of two very different boys in the Canadian wilderness. They must learn to depend on each other in order to survive.
Who Gets In?
Producer
This documentary explores the many questions raised by Canada's immigration policy in the face of one of the world's largest immigration movements. Shot in 1988 in Africa, Canada and Hong Kong, the film reveals first-hand what Canadian immigration officials are looking for in potential new Canadians, and the economic, social and political priorities orienting their choices.
Peep and the Big Wide World
Producer
Peep the chicken ventures out on an adventure into the Big Wide World and makes some friends along the way. Narrated by Peter Ustinov, this 1988 short film commissioned by the National Film Board of Canada comprises three short stories starring Peep the chicken, Quack the duck, and Chirp the Robin, and eventually served as the inspiration for an ongoing 2004 animated series.
The Big Snit
Producer
A couple has a fight over a game of Scrabble unaware that a full-scale nuclear war has started.
After the Big One: Nuclear War on the Prairies
Producer
This film deals straightforwardly with the consequences of a nuclear attack for the Canadian Prairies. The Prairies are singled out because of their proximity to huge stockpiles of intercontinental ballistic missiles located in North Dakota. Scenes include a visit to a missile base and to an emergency government bunker in Manitoba. A doctor, a farmer and a civil defence coordinator provide different perspectives on nuclear war. Although the film focuses on one region, it provides a model for people everywhere who would like to know more about their own situation but don't know what questions to ask.
Getting Started
Executive Producer
A concert pianist prepares to begin his practising for a major concert coming up. Unfortunately, he has this procrastination problem that prevents him from getting any serious time done, even when his frustration with it literally driving him into a frenzy.
The Red Dress
Director
Kelly is a Métis man without treaty or hunting rights, struggling to sustain his traditional life. His daughter Theresa longs for a red dress from France that she believes will give her power and strength, as the bear claw once did for her great-grandfather Muskwa. When Theresa escapes an assault and Kelly turns his back on his daughter, he realizes that he must reconnect with his culture in order to make things right. Today, the red dress is a powerful symbol recognizing over 1000 missing and murdered Indigenous women in Canada.
The McIntyre Block
Executive Producer
A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.
Whistling Smith
Producer
This film is a revealing portrait of a tough cop with a big heart. Sergeant Bernie "Whistling" Smith walks the beat on Vancouver's Eastside, the hangout of petty criminals, down-and-outs and a variety of characters. His policing is unorthodox. To many drug users, petty thieves and prostitutes in this economically depressed area he is more than the iron hand of the law, he is also a counsellor and a friend.
Whistling Smith
Editor
This film is a revealing portrait of a tough cop with a big heart. Sergeant Bernie "Whistling" Smith walks the beat on Vancouver's Eastside, the hangout of petty criminals, down-and-outs and a variety of characters. His policing is unorthodox. To many drug users, petty thieves and prostitutes in this economically depressed area he is more than the iron hand of the law, he is also a counsellor and a friend.
Whistling Smith
Director
This film is a revealing portrait of a tough cop with a big heart. Sergeant Bernie "Whistling" Smith walks the beat on Vancouver's Eastside, the hangout of petty criminals, down-and-outs and a variety of characters. His policing is unorthodox. To many drug users, petty thieves and prostitutes in this economically depressed area he is more than the iron hand of the law, he is also a counsellor and a friend.
Angus
Director
A film portrait of Angus Mowat, with commentary by his son, author Farley Mowat. At seventy-six, Angus still shows an enviable capacity for life, turning his hand to things that the leisure of retirement now makes possible. One of these is the rebuilding of an old fishing boat, converting it to sail. This is a picture of a man who has reached his later years with no slackening of interest in life, who finds a good and constant companion in nature, and contentment in the quiet isolation of his cabin by the shore.
Station 10
Director