George Willeman

参加作品

Lost Emulsion
Self
The majority of films made before World War II are missing. They have rotted, or destroyed accidentally or on purpose. Horror classics like LONDON AFTER MIDNIGHT might be gone forever. Many other films are presently in danger of decomposition. LOST EMULSION tells that story, and the story of film restoration. Discover the plight of the lost films like the Edison Frankenstein, the work of Theda Bara, Lon Chaney, Wallace Reid, Joan Blondell, Raoul Walsh and more. Learn firsthand what The Library of Congress is doing to preserve our film heritage.
Lost Forever: The Art of Film Preservation
Himself
This documentary short takes you inside the fascinating world of film preservation and restoration.
These Amazing Shadows
Self
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
My Mummy
“Kreepy” Karl Futznekkkr
While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers
My Mummy
Producer
While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers
My Mummy
Writer
While shopping at Earl’s All American Exquisite Antique-O-Rama, Brad and Cat decide to buy a mummy. But what begins as a joke quickly unravels in this crazy horror spoof starring J. Todd Anderson, Adam Rihacek and Natasha Randall. The visually striking comedy marks the sophomore feature of writer-director Anderson, the longtime storyboard artist and visual consultant for the Coen brothers
Keepers of the Frame
Himself
An exploration of film preservation and restoration in the United States.