Sophia Olsson

After a recent and difficult divorce, Alice hasn't seen her children in two months as she awaits a custody verdict. When her son calls her in the middle of the night, Alice takes action, abducting the children on an illicit charter trip to the Canary Islands.

On the eve of June 28th, 2011 Swedish journalists Martin Schibbye and Johan Persson put everything at stake by illegally crossing the border from Somalia into Ethiopia. After months of research, planning and failed attempts, they were finally on their way to report on how the ruthless hunt for oil effected the population of the isolated and conflict-ridden Ogaden region. Five days later they lay wounded in the desert sand, shot and captured by the Ethiopian army. But when their initial reportage died, another story began. A story about lawlessness, propaganda and global politics. After a Kafkaesque trial they were sentenced to eleven years in prison for terrorism. And they were far from alone. Their cellmates were journalists, writers and politicians persecuted for not bowing down to dictatorship. Their reportage about oil was transformed into a story about ink, and their daily lives turned into a fight for survival inside the notorious Kality prison in Addis Ababa.

Through 56 independent scenes, Echo draws a portrait, both biting and tender, of modern day Iceland during the often turbulent but also exciting time of the Christmas holidays.

A young Iranian man is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.

Behind the closed doors of the Copenhagen-based women's shelter, the women and children are slowly recovering after having escaped domestic violence. Day by day the women are processing their traumas, building confidence and slowly understanding what it takes to break the cycle of violence.

During a swimming lesson a mother starts to feel uneasy about the coach's relation to one of the kids, but she has no proof. She faces a dilemma; to make an accusation of the worst kind, or to ignore a child who is possibly getting abused.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

The story follows a 16-year-old Icelandic boy, Ari, who lives with his mother in Reykjavík. She has to leave the country for a new job, sending him back to the small town of his youth. There he finds his old friend, suddenly a young woman with a tricky romantic relationship; and his father has become a victim of the financial crisis.

Adrian is a classic outsider. His playful, dreamy imagination distracts him from everyday life, for the reality he lives in could not be more different. Neither his chronically depressed uncle nor his overworked grandmother understand the ten-year-old’s games. His mother abandoned him when he was very young and he is bullied at school. Just as news arrives that three children are missing, a new family moves in next door. Adrian develops a close relationship to their tomboyish, ten-year-old daughter Nicole and believes he is getting close to solving the mys- tery of the missing children. New Zealand forms the backdrop for this universal story for adults and those who have never wanted to grow up. It is a story about friendship and loneliness, emotions which Adrian already feels so poignantly as a child. The Danish first-time director’s expressive visual language dramatically merges water and air, reality and a hint of fantasy.

14-year-old Mie is an elite dancer. When her partner stops dancing, her family decides to search for a new partner abroad. Russian Egor finds out that his mother has set up a try out for him, and if this turns out well, Egor will travel to Denmark. Since May 2011, he has lived with Mie and her parents in Denmark, where everything indicates that they are the perfect match on the dance floor. In Mie's home, however, problems are piling up. The family has suddenly gained a new member, and had it not been for the growing success, Egor would probably have been put on a plane back to his mum by now.

Bruno loves his wife Maxine, but his love and body are slowly undergoing a transformation. Something is beginning to stir inside him and there is nothing he can do to stop it. Because when you first delve into the dark side of love to find power, aggression and hatred, there is no turning back.

Zanyar Adami looks down at Bagdad from an airplane heading to Sweden. His mother is still down there at the airport. His father isn’t even there to wave goodbye. At the time, Zanyar is only five years old. 23 years later Zanyar, soon to be a father, sits in his kitchen in a suburb of Stockholm. His father, Taher, sits in front of him. Any day now, Zanyar will become a father himself and he knows that he can’t wait anymore. He has to confront his father with the question he has been afraid to ask all his life: How could Taher leave him in the midst of a war and then send him to Sweden all by himself?

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

Hanna, 32, is on her way home one late evening when she runs in to an acquaintance, Andreas, 20, who invites her to a party close by. The party consists of five twenty year old boys. At first, Hanna feels uncomfortable, but she’s adjusting. Soon she feels like she’s one of them.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.

Anna is a 12-year-old girl, living in a small fishing village. She is at a crossroad in her life. Her surroundings are changing - and so is she.

The story takes place during one bright summer night and follows a group of young teenagers on a journey from innocence to adulthood. The main character is a timid boy who has a typical schoolboy crush on a girl his age, who happens to be a friend of his mate.

A film about director Andja Arnebäck's family: “When I was pregnant with my first child and doing ultrasound, I thought about the coincidence that my child and I both exist. My Mom has told me that they wanted to forcibly sterilize my grandmother. Through archives and in meetings with my grandmother's two brothers, Axel and Knut, I investigate what really happened when they grew up in Gothenburg. ”

Olle, an introverted, well-mannered boy with an air of innocence and sincerity about him has been camping with his father at the same camping ground with several other people for years now. A sort of tradition that ends in a karaoke party. Then one summer, a family friend brings her reticent 'city boy' nephew, Kevin, and his pet budgerigar. Olle accidentally releases the bird and what follows is a discovery of friendship and love between the guy who has grown up in a loving environment and simply accepts love for what it is and the guy who's apparently been burned too many times in his own circle to feel comfortable with it.

A 12 year old boy making basic punk songs, grown up men playing with guns, a neurotic woman with euphoric happiness targeting self destruction. A Swedish everyday life you've never seen before.

Sweden, shortly before Christmas. Surgeon Rickard is told the job he expected goes to a Dane, because of his substance abuse. It's too late to cancel dinner with his in-laws. The guest couple announces their in-vitro is a success. Then Richard's wife learns he cheated her with Sofie. Meanwhile ugly hag Anita trades drugs to afford a taser to use on her ex Olof and his former physiotherapist. Workaholic builder Anders is disgusted by his grieve-deranged client Knut's plan and decides to spend time on his family, not just money.