Katsuhito Inomata

出生 : 1911-06-27, Ushigome, Tokyo, Japan

死亡 : 1979-08-07

参加作品

大吉ぼんのう鏡
Screenplay
猪俣勝人の映画(1962年)
大吉ぼんのう鏡
Director
猪俣勝人の映画(1962年)
白い肌と黄色い隊長
Screenplay
In the autumn of 1945, Petty Officer Tadashi Yamaji is among the numerous war crimes suspects facing death on the gallows for maltreatment of Allied women and children interned in camp Kampili. Kampili is located some ten kilometers outside Macassar on the island of Celebes. Eighteen-hundred Allied women and children were interned for the duration of the war. Yamaji's iron rule for camp administration is : No violence; hands off internees; He also endeavors to establish self-administration by internees while aiming at a self-supporting camp economy within six months. His ingenuity gains the camp numerous pigs to enrich their diet, and sewing machines with to make fatigue uniforms for the military. The internees are grateful for what little aid he can give them. As the tides of war changes, Allied planes bomb the camp in error. But the surrender of Japan changes everything, and the internees join forces to save their former camp commander from the gallows.
大菩薩峠 完結篇
Screenplay
Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
欲
Screenplay
Half a Loaf... Avarice / Yoku
大菩薩峠 第二部
Screenplay
This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.
悪徳
Screenplay
A movie adaptation of Funayama Kaoru's novel of the same name, which depicts the story of a modern youth who is attracted to the evil path. Saburi Shin, a well-known actor who also demonstrated his skill as a director in a bold social work, embodies a person with a complicated dilemma in a shadowy manner, and is a dramatic work that plays a part in the lead role.
花くれないに
Screenplay
大菩薩峠
Screenplay
First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.
朝霧
Screenplay
こころ
Screenplay
In the dying months of the Meiji era, a sympathetic student befriends a married couple, but soon realizes they share a curiously strained relationship stemming from an unknown incident in their past.
広場の孤独
Screenplay
Based on the novel by Yoshie Hotta
青色革命
Screenplay
恐妻時代
Writer
慟哭
Writer
現代人
Writer
A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.
ラッキーさん
Screenplay
製作は「青春会議」の藤本真澄。原作は源氏鶏太の「ホープさん」「三等重役」の二作より「風雪二十年」の猪俣勝人がシナリオ化したもので、監督は「結婚行進曲」の市川崑、撮影も同じく飯村正である。出演者の主なものは「呼子星」の小林桂樹、「青春会議」の杉葉子、小泉博、「慶安秘帖」の島崎雪子のほか河村黎吉、沢村貞子、斎藤達雄などである。 東洋鉄業に勤める若原俊平は通称「ラッキーさん」。庶務課から秘書課へ抜てきされ、給料の前借をして全部同僚に奢ってしまうというような男。同じ課の泰子は彼にほのかな好意を感じました。泰子の父町田さんは、秋葉社長にタイプが似ているので、冠婚葬祭にはよく社長の替玉をつとめます。東洋鉄業の元社長、奈良財閥六代目庄右衛門の令嬢由起子さんの美容院開店祝いに行ったときも、社長の替玉であることを白状した上、お葬式の帰りであることまで白状して大失敗を演じました。秋葉社長はこの失態をつぐなうため由起子さんのお婿さんを世話しようと季節はずれの社員大運動会を催しました。若手独身社員は我こそと大はりきりでしたが、由起子さんには若原が気に入ったらしく、由起子さんを想っていた近藤と、若原に好意を寄せていた泰子とは失望を感じました。そしてその失意がこの二人を結びつけましたが、一方由起子さんは奈良財閥のため銀行家勝田家の令息と結婚することになり、ラッキーさんの若原は一人淋しく釧路所長に栄転して行きました。
風雪二十年
Writer
The Stormy Era of Twenty Years
あゝ青春
Writer
Aa seishun 1951
執行猶予
Writer
Probation (1950)
母は死なず
Screenplay
The premature death of a young mother serves as inspiration for her husband and son.
都会の奔流
Writer
A young yakuza student is led back to the straight and narrow path by his uncle.
母は強し
Writer
男性対女性
Screenplay
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.