Production Design
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Production Design
Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.
Production Design
Octavius Caesar (later renamed Augustus Caesar, son of the murdered Julius Caesar), Marc Antony, and Lepidus form the triumvirate, the three rulers of the Roman Empire. Antony, though married to Fulvia, spends his time in Egypt, living a life of decadence and conducting an affair with Queen Cleopatra. In Antony's absence, Caesar and Lepidus worry about Pompey's increasing strength.
Production Designer
Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.
Executive Producer
This film documents the efforts of a group of Canadians and Americans to save the whooping crane from extinction. They display great determination in their dealings with this independent, pre-Ice Age creature. The issues of wild animals imprinting on people and the preservation of wild animals in captivity are examined in this film. Produced in cooperation with the Canadian Wildlife Service and the United States Fish and Wildlife Service.