Set Decoration
Two diverse families meet for the first time over Christmas dinner. The evening goes off the rails right from the start when the male host couple reveal a closely guarded secret: there's also a hostess in the house, and she's very pregnant! Of course, the frantic group of relatives don't take the news lightly and demand the paternity to be confirmed - which is no simple task. A series of misunderstandings drives the Christmas guests to the brink of a nervous breakdown, and as the evening progresses, Santa Claus himself is forced to look in the mirror. Their Christmas together seems doomed to failure until, to everyone's surprise, the evening culminates in a heart-melting Christmas miracle.
Set Designer
Woman whom have kids with 4 different guys invites her ex-husbands and kids to Christmas party.
Costume Design
After EverythingThe film shows a dystopian world where brutality and inhumanity are commonplace and part of everyday routine. The atmosphere of doom is emphasized by the combination of black and white footage, harsh settings and industrial noise music. The powerful story leads to a situation in which brutality is victorious, yet beyond total destruction there is also room for a new beginning.
Art Direction
After EverythingThe film shows a dystopian world where brutality and inhumanity are commonplace and part of everyday routine. The atmosphere of doom is emphasized by the combination of black and white footage, harsh settings and industrial noise music. The powerful story leads to a situation in which brutality is victorious, yet beyond total destruction there is also room for a new beginning.
Production Design
Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually, and their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.
Production Design
Love Is a Treasure is a 55-minute film about the world of women who have developed psychoses. It consists of five episodes each telling the story of one woman. The episodes are based research and interviews but the stories and dialogue are fiction, combinations of different elements. —The Cinematic Works of Eija-Liisa Ahtila
