Maria Olguim

Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.

A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.

Set in a little remote village, where everyone is very religious and primitive, it tells the story of Joana, the most beautiful girl in village. She is badly regarded by all other women because they envy her and her affairs with men. As soon as accidents start happening involving her (at some point, she holds an already sick baby and he eventually dies), the women (and slowly, men too) in the village start claiming that she is possessed by the devil. At first,she doesn't believe it. They ask for two priests to exorcise her, but they leave and say to the people that she isn't possessed at all, and that people need to relax. But, little by little, they start convincing Joana that she is really possessed and she starts entering a stage of slight madness and behaving like she is. So, people "believing" that she isn't going to die, and that the demon will leave her body, with her permission, they end up burning her alive...

Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.

Aurora is a modest young girl, working as dressmaker for the women her popular district, near the OPorto cathedral. One day, through a hintz-dress design competition, she gets involved with a haut couture atelier.

Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.

Meia-Lua used to be a sailor, but he now makes a poor living smuggling. He is a cynical man, who doesn't care for Ana or for the child they had together. He lives with the beautiful Marlene who dances in the bars. Gull spends her whole days lulling a doll in her arms, and she waits for her love that will rise from the depths of the sea. The deaf musician Sparrow watches over her, in his despaired love and long-held wish of becoming a sea captain. There is a dispute down the piers, there is a crime that might be just an accident, there is a bad conscience that turns sour, there is a boat full of poor wretches like a rocking lullaby, a baby that passes from arms to arms, a clumsy beggar that finds some work, a courthouse of tramps... From this expressionist account that has unexpected comical moments, the censors from Salazar's regime cut away 20 minutes that were never to be found again.

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.

Mr. Silva has a dream: to live in the countryside and become a farmer. And one day it happens. He inherits a farm from an old aunt. But not everything will be roses, as Mr. Silva soon finds out...

When Mr. Elias discovers that his aunt, who lives in Brazil, comes to visit him, he decides to temporarily occupy the house of a wealthy neighbor who's away so that she doesn't discover that he's not as rich as he told her.

The tragedy of a woman who - after seven years of vain searches - gave up hope of finding her husband, a knight lost in battle in Marroc with Sebastião, king of Portugal. She marries, has a daughter by her second husband, and endures the silent reproach of an aid, Telmo Pais, the only who kept his hope that his master shall return, as well as the king... One day, a mysterious pilgrim arrives at the mansion.

Anastácio lives in Lisbon and is fanatic for Sporting, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

Geninha and Fortunato are couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.

André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.

It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.

A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.