Chris Petit
出生 : 1949-01-01, London, England, UK
略歴
Christopher Petit was born in 1949 in London, England. He is a director and writer, known for Radio On (1979), An Unsuitable Job for a Woman (1982) and Agatha Christie's Miss Marple: A Caribbean Mystery (1989).
London Overground retraces legendary London writer Iain Sinclair’s journey with film-maker Andrew Kötting around the Overground railway on foot for the book of the same name. The film follows Sinclair reprising the walk over the course of a year rather than the day’s walk of the book.
Director
A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.
Director
Content is an ambient 21st-century road movie, an associative film essay inspired by driving’s trancelike state rather than any linear unfolding of the road.
Writer
Based on an English academic’s memoir on stalking and being stalked, a digital film essay on cinema and absence, on Hitchcock and Antonioni, on cinema and cities. It is a story of waiting, self-delusion, panic, fear of violence, and of modern technologies which define the urban stalker as they do the new terrorist.
Director
Based on an English academic’s memoir on stalking and being stalked, a digital film essay on cinema and absence, on Hitchcock and Antonioni, on cinema and cities. It is a story of waiting, self-delusion, panic, fear of violence, and of modern technologies which define the urban stalker as they do the new terrorist.
Cinematography
An abstract film, collecting together the 6 rooms Dave McKean made for Chris Petit to reshoot, cut-up, and generally abuse, in pursuit of images for his film 'Asylum', made in collaboration with the writer Iain Sinclair.
A filmmaker sets out to make a voyage of discovery on London's orbital motorway, the M25. He enlists the help of several others to film the motorway from several points, drive endlessly around it and dig up stories and potential beauty behind the motorway.
Director
A filmmaker sets out to make a voyage of discovery on London's orbital motorway, the M25. He enlists the help of several others to film the motorway from several points, drive endlessly around it and dig up stories and potential beauty behind the motorway.
Director
A portrait of film critic Manny Farber, featuring interviews with Farber and art critic Dave Hickey, as well as inventively displayed clips of the films that Farber discusses.
Screenplay
Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, where in the future a group of people are looking back at the twentieth century. A virus has wiped out most of the culture of the twentieth century, leaving just fragments of a project called 'The Perimeter Fence' to be pieced together. These fragments make up a documentary about an exiled group of disparate yet similar minds.
Director
Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, where in the future a group of people are looking back at the twentieth century. A virus has wiped out most of the culture of the twentieth century, leaving just fragments of a project called 'The Perimeter Fence' to be pieced together. These fragments make up a documentary about an exiled group of disparate yet similar minds.
Director
A re-edit of Petit’s Radio On (1980)
Director of Photography
A vagrant is taken in by a south London surgeon, who subjects him to a series of violent procedures, in the hope of recovering the inner daimon, the spark of light.
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
Director of Photography
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
Writer
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
Director
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
Director
A mini film-essay made up of CCTV footage.
Writer
‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.
Director
‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.
Director
Smile, smile, smile - a witty and informal look at the life and times of the air hostess. Feature-film maker Chris Petit , of Radio On fame, turns his eye to the world of flying, "trolley-dollies", duty-free lives, emergency, sex and shopping. Cabin doors to manual! Welcome aboard!
Self
A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.
Director
A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.
Director
転地療養のため訪れた西インド諸島で退屈し始めたマープルは、パルグレイブ少佐から殺人事件の話を聞くが…。
Himself
Scottish Television's film on the 40th Edinburgh International Film Festival in 1986, starring Robbie Coltrane (a former EIFF chauffeur) and featuring interviews with Bill Forsyth, Samuel Fuller and Barry Norman, among many others.
Screenplay
An American in West Berlin finds himself caught up in murder and intrigue after his associate is killed and a diplomat's daughter is found dead in his room.
Director
An American in West Berlin finds himself caught up in murder and intrigue after his associate is killed and a diplomat's daughter is found dead in his room.
Writer
A woman is being taken from her German hotel to be interrogated by police agents.
Director
A woman is being taken from her German hotel to be interrogated by police agents.
Writer
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
Director
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
Director
A young woman enacts an imaginative revenge on her boyfriend for playing away. Director Chris Petit made this three-minute short to test a new super 16mm Kodak film stock to be used on Peter Greenaway’s upcoming feature The Draughtsman’s Contract.
Writer
Set in 1970s Britain, a man drives from London to Bristol to investigate his brother's death. The purpose of his trip is offset by his encounters with a series of odd people.
Director
Set in 1970s Britain, a man drives from London to Bristol to investigate his brother's death. The purpose of his trip is offset by his encounters with a series of odd people.
Director
Some of Petit's works were made for television. In this session, the three films are about three major figures in the English universe: filmmaker Peter Whitehead, novelist and screenwriter Rudy Wurlitzer, and writer J. G. Ballard. In these cinematographic portraits, Petit explores the potentialities of the hybridization between fiction and documentary, building elaborate stories - supported in genres such as the police story - to better define the characters. In the biography of Ballard, we have a curious participation of David Cronenberg about to embark on the adaptation of Crash.
Director
A short film detailing the ways that TV has failed as a creative and expressive medium in the UK through various sped up and slowed down clips of football, have I got news for you, diana's funeral and footage from chat shows.
