Satoshi Kinjo
14歳の優奈は、島内に高校がない南大東島で父親と2人で暮らしている。子どもたちは進学のため15歳で島を出るため、彼女の母親も姉の進学と共に那覇についていったきり戻って来ない。優奈は少女民謡グループ・ボロジノ娘のリーダーを任されたものの、進路のことで思い悩んでいた。
Writer
After a happily married couple running a hot spring resort are awakened to their sadomasochistic desires, their relationship will never be the same.
Writer
昭和11年。料亭の仲居として働く阿部定は、雇い主であり、愛人でもあった石田吉蔵を性交中に殺害し、その局部を切り取ったとして、殺人と死体損壊の容疑で逮捕された。だが警察の取り調べを受ける定は、犯行に関して否定も肯定もしようとしない。いらだちを隠せないまま、執拗に訊問を続ける刑事・浦川。やがて定はようやく口を開き、吉蔵の死の真相と、彼女が吉蔵の死体からペニスを切り取るに至るまでの経緯を語り出す。
Screenplay
Onimata Kan is famous for two things: a successful career writing S&M erotica, and hosting the erotic gatherings aboard what has come to be known as the Slave Ship, where the main attraction is the auctioning of the services of sexual partners willing to fulfill any desire. So if it's all consensual, there's no harm, right? At least, that's what Onimata believes until he learns that one of the frequent auctionees has gone insane, and that her husband believes the cause is related to a stalker she acquired. Are the activities aboard the Slave Ship somehow to blame? Fearing the answer, Onimata goes to investigate the mysterious Kitagawa, and soon learns that his own writings only hint at the extremes to which some will go.
Director
Eiko has an unsatisfying marriage, and finds satisfaction in the arms of the younger Mitsuo. After a passionate spell between them, Eiko feels she can't keep living this way and breaks up with him. Two years later, Eiko’s younger sister, Yuiko is happily engaged to marry, and introduces her fiance to Eiko. The fiance is no other than Mitsuo. Mistuo and Eiko pretend to meet each other for the first time. Will they be able to keep living this lie? This romantic drama was shot beautifully by one of Japan's leading cinematographers, Shoji Shimizu.
Screenplay
Mari (Erina Aoyama) and Rin (Rina Yuki) have known each other since elementary school. They are both dancers who admire the legendary stripper Masae Shindo. One day, Mari receives a proposal from Takao (Salmon Salmon), an avid fan. Takao's profile as the sergeant of a high-class inn in Yamanashi is enough to make her fall in love with him. Meanwhile, Rin is dating a host, Yoshio (Ishikawa Yuya), but when he asks for money, she gets into an argument with him and breaks his nose. When Takao returns to his parents' house, his mother Mayumi (Mayuko Sasaki) is disgusted by her son's behavior and locks him in a storehouse. Mari receives the news from Takao that he has been caught by the bad guys, and decides to go to Yamanashi. Fearing that Yoshio will retaliate against her, Lin also decides to accompany Mari.
Screenplay
A secretary is introduced to the world of BDSM by her boss. She becomes his personal slave as they take a walk on the wild side of experimentations. This film is based on main actress Rinako Hirasawa’s personal experiences.
Screenplay
The youngest sister Miyo is an illustrator but she is a shut-in. She does not socialize with anybody. The middle sister Mizuki is working at a bar. She gives all of the money she earns to her boyfriend, who is actually married. One day, the oldest sister Hoshimi, who is a painter, returns home. Hoshimi brings different men to the house, and has sex with them. The two younger sisters are thrown off by her behavior, until they find the reason for Hoshimi's frustration.
Himself
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Producer
Two wives who leave their husbands behind and go on a hot spring trip, and two husbands who play homosexual games because it's not fair for them to be the only ones enjoying it. In contrast to the wives, who warm each other's bodies with hot water and lesbian play, the husbands cool each other's bodies by facing each other naked on a dark table with a bottle of sugar. There is another couple in danger of getting married because their parents disapprove of their relationship, but these two also change their mind, saying that marriage is between them. The story focuses on the liberation and change of consciousness of these three couples, who audaciously kiss on the street to get warm, and rethink their love and freedom.
Producer
Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.
