Sandip Ray

Pradosh C. Mitter AKA Feluda, Topshe, and Lalmohan Ganguly go to Puri for vacation. One evening, the trio spot odd footprints on the sand. Later, Lalmohan goes to meet Lakshman, an astrologer who is presumably gifted with extrasensory perception. Soon they stumble upon Roopchand's dead body lying on the beach. Feluda figures out the mystery and gathers everyone at Bhujanga Niwas and tells everyone that Bilas Majumdar is actually Animesh Kumar Sarkar, a smuggler by profession. Feluda tells them that the actual Bilas Majumdar had died three weeks ago in a hospital in Nepal. Why?

Pradosh C. Mitter AKA Feluda, Topshe, and Lalmohan Ganguly go to Puri for vacation. One evening, the trio spot odd footprints on the sand. Later, Lalmohan goes to meet Lakshman, an astrologer who is presumably gifted with extrasensory perception. Soon they stumble upon Roopchand's dead body lying on the beach. Feluda figures out the mystery and gathers everyone at Bhujanga Niwas and tells everyone that Bilas Majumdar is actually Animesh Kumar Sarkar, a smuggler by profession. Feluda tells them that the actual Bilas Majumdar had died three weeks ago in a hospital in Nepal. Why?

What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.

A biographical documentary film about the legendary Indian filmmaker Satyajit Ray, to commemorate Ray's centenary year. The film covers Ray's life and early works, focusing on the making of his first film Pather Panchali.

An elusive actor is a rarity. Talking Head is about the actor Dhritiman Chaterji. In October 1970, Pratidwandi (The Adversary) one of Satyajit Ray’s most political films was released. It was a film about the time; the moment of anger, disenchantment, strikes, injustice and unemployment among the young. It was a film about angry youth and it introduced Dhritiman Chaterji, into film acting. A new actor in Bengali cinema, Dhritiman Chaterji acted in few of the most prominent films of the decade

Based on Satyajit Rayʼs iconic character, this film portrays the story of Trilokeshwar Shanku - a respected scientist and inventor who travels to Brazil for a science convention. But once he`s there Shanku gets involved in an adventure, a quest for the mythical city of El Dorado. Through the journey, he encounters native tribesmen and anacondas, but will Shanku and his friends ever find El Dorado?

A documentary exploring the 50-year legacy of Bengali fictional detective Feluda, created by Satyajit Ray.

Nemai Ghosh: A Ray of Light' is a moving story of how an ordinary man came to be associated with a giant of cinema-Satyajit Ray-and became the photo-chronicler of his creative and personal world.

full documentary film "Sandesh 100" that is based on the heritage bengali magazine 'Sandesh'.Sandesh' is a heritage bengali magazine started by Upendrakishore Raychoudhury in 1913. After that Sukumar Ray, Satyajit Ray.

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).

It's a romantic drama with colourful characters and hint of mystery typical of Saradindu Bandyopadhyay. The film revolves around the story of a thief played by Abir Chatterjee.

It's a romantic drama with colourful characters and hint of mystery typical of Saradindu Bandyopadhyay. The film revolves around the story of a thief played by Abir Chatterjee.

It's a romantic drama with colourful characters and hint of mystery typical of Saradindu Bandyopadhyay. The film revolves around the story of a thief played by Abir Chatterjee.

Feluda and his cousin Topshe goes to Lucknow with Topshe's father to spend the Puja vacation. They arrived at the house of Dhirendra Kumar Sanyal, a friend of Topshe's father. That evening Dr. Shrivastav also came to Dhirendra Kumar Sanyal and tells him about last night, a thief tried to steal his 'Ring of Aurangzeb' (The Emperor's Ring) which was given to him by Pyarilaal Seth. After the incident Dr. Shrivastav has been afraid and asks Dhirendra Kumar Sanyal to keep the ring safe. Dhirendra Kumar Sanyal agreed and keeps the ring to his home. But someday the ring goes missing from there. Then Feluda and Topshe started investigation for the culprit. Meanwhile, Feluda meets an interesting person in doctor's neighborhood, Mr. Bonobihari Sarkar. Bonobihari babu has ferocious and poisonous creatures like crocodile, African tiger, hyena, rattlesnake, scorpion and black widow spider in his own home.

Feluda and his cousin Topshe goes to Lucknow with Topshe's father to spend the Puja vacation. They arrived at the house of Dhirendra Kumar Sanyal, a friend of Topshe's father. That evening Dr. Shrivastav also came to Dhirendra Kumar Sanyal and tells him about last night, a thief tried to steal his 'Ring of Aurangzeb' (The Emperor's Ring) which was given to him by Pyarilaal Seth. After the incident Dr. Shrivastav has been afraid and asks Dhirendra Kumar Sanyal to keep the ring safe. Dhirendra Kumar Sanyal agreed and keeps the ring to his home. But someday the ring goes missing from there. Then Feluda and Topshe started investigation for the culprit. Meanwhile, Feluda meets an interesting person in doctor's neighborhood, Mr. Bonobihari Sarkar. Bonobihari babu has ferocious and poisonous creatures like crocodile, African tiger, hyena, rattlesnake, scorpion and black widow spider in his own home.

Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.

Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.

Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.

Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.

Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.

Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.

Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.

Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.

Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.

Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.

By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.

By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.

When the employees of an ad agency start getting killed off one by one, Detective Prabhat is tasked with finding the person responsible for the murders.

When the employees of an ad agency start getting killed off one by one, Detective Prabhat is tasked with finding the person responsible for the murders.

Feluda, the famous Bengali detective tackles an international buyer, a corrupt arts agent, numerous henchmen and impostors in this story that revolves around a painting of Jesus by the famous Italian painter Tintoretto.

Detective Feluda, with the help of his nephew Topshe and the writer Jatayu, investigates smuggling and illegal trading in ancient sculptures across India.

Detective Feluda, with the help of his nephew Topshe and the writer Jatayu, investigates smuggling and illegal trading in ancient sculptures across India.

A family gets alienated in a mountain forest villa after an earthquake. After 3 days of starvation, the true nature of each character begins to reveal.

Lalmohan Ganguly, alias Jatayu − a sidekick of Feluda − gets invited to Mumbai (previously Bombay) to watch the shooting of a film based on a novel written by him. Once in Mumbai, he, along with Feluda and Topshe gets embroiled with underworld kingpins. He seems to have transported the Nana Sahib's necklace. But fortunately because of Feluda the real thief is caught and convicted. Although the original story was written in the 1970s, the movie is set in more recent times and depict the real problem of underworld involvement in Bollywood.

Lalmohan Ganguly, alias Jatayu − a sidekick of Feluda − gets invited to Mumbai (previously Bombay) to watch the shooting of a film based on a novel written by him. Once in Mumbai, he, along with Feluda and Topshe gets embroiled with underworld kingpins. He seems to have transported the Nana Sahib's necklace. But fortunately because of Feluda the real thief is caught and convicted. Although the original story was written in the 1970s, the movie is set in more recent times and depict the real problem of underworld involvement in Bollywood.

A hunter-cum-psychologist wants to publish a book about three of his patients who committed crimes in the past, but did not get caught. However, he gets murdered by his brother in law and now it is up to Feluda to find the murderer.

A hunter-cum-psychologist wants to publish a book about three of his patients who committed crimes in the past, but did not get caught. However, he gets murdered by his brother in law and now it is up to Feluda to find the murderer.

While at a felicitation ceremony, Feluda, a detective, meets Joychand, a simple man who owns a pink diamond. When several buyers set their eyes on the precious stone, Feluda must save the day.

Ambar Sen a well educated, intelligent man with a good depth of knowledge on different subjects came to Feluda for a case. Anyone or any group threatened Amber babu a few days ago. The very next day Ambar Sen vanished. Ambuj Sen the only brother of Ambar babu called Feluda for the case. Feluda, Tposey, and Jotayu came to Palm Avenue's Sen House to solve the case.

Ambar Sen, a Bengali comes to Feluda and informs him that he has got threatening mail. Later Mr. Sen is kidnapped. Feluda investigates.

Pramod, a promising scientist, suddenly died by heart attack. His friends, colleagues and seniors were really shocked by the incidents. His good friend and class mate Sasanka had a good rapport with Pramod. Mr. Bagchi who was Pramad's guide gave Sasanka a good responsibility to collect and compile whole work of Pramod.

An old man of Ghurghutia village near Palashi invited Feluda to solve a puzzle. The man's pet parrot recites a numeric code which is actually the combination number of his iron chest. The parrot says— Trinayan, o trinayan, ektu jiron. When Feluda solved the puzzle he gave him four rare books of Émile Gaboriau as a reward. The very next day when Feluda is returning towards Kolkata with Topshe, smelled something fishy in the old man's house. He started last time investigation and it revealed that all was a made up plan and there was a murder behind the entire plot.

The Studio Of Mr Gagan Choudhury

Sadhan Bose a small-time businessman leaves for work, Sadhan, incorrigibly, hasn't read beyond the opening page of the morning newspaper. Nabendu his neighbour, brings him abreast of a gruesome murder. One, Sibdas Mullick has been found beheaded. A Madhusudan Maity appears the prime suspect. Sadhan shudders. His mind flies back four years to his room on Patuatola Lane. Sadhan Sibdas & Mudhusudan deal cards in a game of Flush. Mudhu makes a killing. Sadhan smells foul play & voices his misgivings. Suddenly Mudhu is without himself. Flashing a flick knife, he threatens to avenges Sadhan's jibe one day... Evening. Back home, a grim-faced Sadhan tremulously eyes an oversized package on his table. None has hint of the parcel's sender/origin. Meanwhile the police drop by to interrogate Sadhan about his past conditions. Deep into the night. Sadhan site wide-eyed & pale. His hair bristles at the though of Sibdas backed head in that package & Madhu's bloodshot eyes....

A bookshop in Calcutta's park street. Executive Bipin chowdhury noses around for his favorite diet of mystery fiction. Flipping through titles, he notices a man's fixed stare on him. 'Don't you recognize me, Mr. Bipin chowdhury ? ' The man asks. 'No, I don't,' replies Bipin curtly. The stranger is amazed.

When a valuable coin is stolen, Shankar Prasad asks Feluda and his friends to investigate.

Sheyal Debota Rahasya is a Mystery, Thriller TV Film of Feluda Series. This film is about The Anubis Mystery. Feluda must solve the Mystery case.

Barun Banerjee, a middle-class bank employee, gets in trouble after the head office sets up an enquiry about previous transactions. However, he soon sees the selfish nature of the world around him.

Barun Banerjee, a middle-class bank employee, gets in trouble after the head office sets up an enquiry about previous transactions. However, he soon sees the selfish nature of the world around him.

Barun Banerjee, a middle-class bank employee, gets in trouble after the head office sets up an enquiry about previous transactions. However, he soon sees the selfish nature of the world around him.

Bosepukure Khunkharapi is a TV movie of Feluda Series. This film is based on "Acharya Murder Case". Fedula and his assistant Topse solve the case.

Famous Bengali private investigator Pradosh C. Mitter (Feluda) is hired by wealthy businessman Dinnanath Lahiri. His suitcase has been accidentally exchanged with someone on the Kalka Mail. Inside it is a valuable manuscript written by Shambucharan Bose. The case takes Feluda, Topshe and Jatayu to Shimla, where they discover a priceless diamond in a film container, disguised as a betel - nut. 'The Three Musketeers' face great danger in Shimla, before Feluda eventually solves the case.

Joto Kando Kathmandute is based on Criminals of Kathmandu. Feluda (Sabyasachi Chakrabarty) and his assistant Topse (Saswata Chatterjee) solve the Criminal Case.

Feluda is called to Gosaipur by Jiban Mallick, the son of the local Zamindar Shyamlal Mallick to investigate a threat of his father's life. Everyone in the village knows that father and the son are at loggerheads. Shyamlal is also an eccentric who eschews anything modern. Then, instead of Syamlal, his son Jiban Mallick is killed and the wealth of Mallick's looted. Oddly though, the dead body of Jiban Mallick vanishes, only to reappear again. Feluda works this out with a mixture of investigating skills and deception.

Feluda is called to Gosaipur by Jiban Mallick, the son of the local Zamindar Shyamlal Mallick to investigate a threat of his father's life. Everyone in the village knows that father and the son are at loggerheads. Shyamlal is also an eccentric who eschews anything modern. Then, instead of Syamlal, his son Jiban Mallick is killed and the wealth of Mallick's looted. Oddly though, the dead body of Jiban Mallick vanishes, only to reappear again. Feluda works this out with a mixture of investigating skills and deception.

A subtle yet violent commentary on feudal lords.

Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He finds a breathless man lying on the side of the road. With little sympathy, the doctor sends him back to his own village for treatment. When Dr. Gupta discovers that the villages wants a witch doctor to treat the man, he attends the exorcism and is shocked. A transformation of the cold city man then follows.

Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He finds a breathless man lying on the side of the road. With little sympathy, the doctor sends him back to his own village for treatment. When Dr. Gupta discovers that the villages wants a witch doctor to treat the man, he attends the exorcism and is shocked. A transformation of the cold city man then follows.

Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.

A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

The life of Bollywood playback singer, Kishore Kumar, is examined.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

Mystery-drama about a botched kidnapping of a Calcutta schoolboy and his relationships and adventures.

It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.

It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.