Colette

The relationship between two newlyweds is undermined by the increasingly cumbersome presence of his cat, which will bring to light jealousies and misunderstandings. Drama about a couple in search of their own identity, inspired by a story by Colette already brought to the screen in 1952 by Roberto Rossellini in an episode of the Seven Deadly Sins.

The incredible life of novelist, screenwriter, actress and nude dancer Sidonie-Gabrielle Colette (1873-1954), who led her life to the beat, constantly reinventing herself through words, scandals and metamorphoses; a peasant woman who became an icon of the European Belle Époque; an artist who defied religion and social prejudices to live a hedonist existence worthy of her desires; a real woman who turned herself into a fictional character…

A sumptuous dramatic comedy set in late 19th Century France, during the Belle Epoque, a period of social and cultural excess in European upper classes which ended only as the First World War erupted.

Based on French writer Colette's 1923 novel, Le Blé en herbe focuses on the changing relationship between childhood friends Vinca and Phillipe. Both are on the verge of adulthood and beginning to recognize romantic feelings for one another when Phillipe meets a lascivious, wealthy older woman named Madam Dellaray. He is torn between his innocent but restricting affection for Vinca and satisfaction of his impatient lust for the new and mature world Madam Dellaray offers.

A perfect summer divertissement, the very rare Break of Day is based on the quasi-autobiographical novel by Colette, a serene, sometimes joyous meditation in which the novelist puzzles through the state in which she found herself, an older woman, traduced and misused in love, fearing that she would never be wanted again. Instead of obsessing on loss, she insists, one must accept it; at a certain age one must recognize the limits of human relationships and transfer one's attentions to nature.

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

During the First World War, the Empyrée Montmartre, a Paris music-hall, is dedicated to patriotic revues whose star is the charming Mitsou. The young artist is not without talent but she is mainly well-connected. She is indeed the cherished mistress of Pierre Duroy-Lelong, a rich industrialist. One night, thanks to Petite-Chose, an ebullient singer-dancer and her co-star, she gets to know a handsome army, Lieutenant Bleu. Mitsou falls madly in love with him and Lieutenant Bleu is physically attracted to her. The trouble is that Bleu comes from a distinguished family and cannot put up with her lack of culture and artistic bad taste...

ロンドンに住む会社役員の夫婦はイタリアに車を走らせる。ナポリの別荘を処分するためだ。見かけは仲のいい夫婦だが他人同士も同然。冷え切って夫婦仲は悪化の一途をたどり、離婚に突き進もうとしている。ナポリ観光もちぐはぐな別行動だ。次第に二人の関係は悪化をたどり、離婚へと突き進んでいくが・・・。

Based on the novel by Sidonie-Gabrielle Colette. Friends since infancy, Philippe and Vinea have always regarded themselves as brother and sister. But as adolescence segues into puberty, the two youngsters fall in love.

A French/Italian motion picture drama covering the seven deadly sins in seven separate sections.

In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.

Fred Peloux nicknamed Chéri, the handsome son of Charlotte Peloux, a former demimondaine, lives in the small circle of his mother's friends, all high class prostitutes past their best. He has an affair with Léa, a waning beauty, who loves him both as a mistress and a mother. But the age difference takes its toll on their union. To please his mother, Chéri accepts to marry young Edmée without actually caring for her. After a while, the young man tries to return to Léa...

Minne is a very imaginative young lady. She pretends to have had lovers and can't think of anything better to do other than... to tell Antoine, her husband, the day she marries him. Bad beginning for the couple... As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.

A penniless aristocrat is fooled by her ex-husband, a crook.

Gilberte is a sixteen year old girl raised by her aunt and grandmother to be a demimondaine. But she's not ready for that yet, and spends her days in lessons and in teasing Mamita's old friend, the rich playboy Gaston LaChaille, and following his affairs from afar. But when Gaston throws off his latest mistress, it looks as if Gigi just might be ready to begin her destined career.

Nicole Védrèss' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

Poorly educated by her father, a wacky researcher, Claudine is a teenager full of life who loves her small village school run by Miss Sergeant. A new teacher, Aimée Lanthenay, arrives at the school. Seemingly awkward, she is actually an arrivist who manages to get the departure of Miss Sergeant.

A country girl (Simone Berriau) finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.

A country girl (Simone Berriau) finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.

A handsome but penniless young man takes a summer job as a swimming instructor in a picturesque Alpine lake resort. He falls in love with a young heiress who is staying there with her father, but he also grabs the attention of tomboyish Puck who lives on the other side of the lake and who saves him from drowning one foggy night. Further havoc is caused by the arrival of Eric's old sweetheart whose husband is wanted by the police.

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers. One of the earliest narrative films to explicitly portray homosexuality. Based on "Gestern und Heute" by German playwright Christa Winsloe.