Fabrice Rouaud

Max, a ruthless fifty-year-old hitman, discovers he has a problem: he now faints at the drop of blood. With his future in the profession in jeopardy, he's going to have to retrain... But not so simple when his only professional skill is to kill people... They are helped by a couple of young neighbors, Karim and Stéphanie, who do not imagine for a moment who they are dealing with... Max becomes attached, in spite of himself, to the young couple, until his past catches up with him.

A former french President, Nicolas, decides to persuade another one, François, to campaign together in order to return to the front stage of politics.

Three Parisian police officers are charged with driving a stranger back to the border. However, Virginie realizes their prisoner will most likely be killed upon return to his country and so goes about attempting to convince her fellow officers to release him.

What if French Rock were born with Edith Piaf? From sweet sixties pop to today's gender-indifferent anthems, from feminist rebels of the seventies to fashion icons of the social media age, from Françoise Hardy to Christine & The Queens, via Vanessa Paradis, Catherine Ringer, Charlotte Gainsbourg and many more, Oh Les Filles! tells the untold story of French female rock stars. Narrated by Clémence Poésy, this groundbreaking documentary combines interviews and iconic footage to radically reverse perspectives and give the patriarchy a kick!

Gabrielle is a "statue" for tourists, much to the chagrin of her teenage son. Elsa is in angry at the world and desperate to become pregnant. Mao is a chronically depressed video game designer who drowns his melancholy in alcohol and psychoanalysis. They are brother and sisters but do not hang out. Ever. Their parents Pierre and Claudine, separated for a long time, have really done nothing to strengthen the bonds of the family - yet, at their grandfather's funeral, they are going to have to meet, and together answer the question: "What to do with grandma?"

An impressive visual and sonorous experience through the meanders of the Danube, from its delta in the Black Sea to Serbia, in search of the gypsy people (or the Roma) and their music and culture.

Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams... until love unexpectedly brings her back to life.

Polina is a young dancer from a modest family. After years of ballet academy, she is accepted by the Bolshoi; still, she decides to try and audition of a modern dance company in France. She makes it, but her journey will not end there...

パリの街にそれぞれ爆弾を仕掛け、うつろな目の若者たちが集合したのは閉店後の高級デパートだった。緊張感が漂うなか、若者たちはここで夜を明かすのだ。

An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.

A movie director goes to the Paris Opera to shoot his new film. Lacking inspiration, he looks for ways out of his solitude and fear of failure. With each step forward, his imagination reveals itself to him, and mysterious characters lead him towards his desire to create and love.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

A magistrate investigating a fraud case discovers the woman is the biological mother of her adopted child. Instead of recusing herself, the magistrate pursues the case further.

Yann who is trying, albeit unsuccessfully, to cope with his life generally and especially bereavement decides to look up Thomas, his best friend from high school. Thomas is thee same crazy character as he ever was and between them they cook up a plan to rearrange Yann's birthday party from their high school days and get all their old friends to come along. This means locating their friends and a journey to visit and convince some of them to join in their plan. How their friends have changed, their lives and the revelations provide plenty of humour. But why is his friend Thomas just the same as he ever was ?

Louise, Sam, Lili. Three women who don't know each other but whom will be forced to meet, get together, and compare themselves to each other by the wild will of evolution.

In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”

1967年、フランス・パリ。イヴ・サンローランは斬新なコレクションを次々と発表し多忙を極めるとともに、カルチャーアイコンとしてもその名をとどろかせていた。しかし、サンローランはプレッシャーから次第にアルコールや薬に依存していく。＜世界的な知名度を誇るファッションデザイナー、イヴ・サンローランの栄光と挫折を、1967年からの10年間に焦点を絞って赤裸々に描いたドラマ。多忙を極める一方で重圧や孤独に悩む様子や、アルコールや薬への依存やパートナーとの関係といった衝撃的な出来事までもを映し出す。監督はベルトラン・ボネロ。主演をギャスパー・ウリエルが務めるほか、ジェレミー・レニエなどが共演。＞

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

What is striking when you talk with mathematicians is that sparkle in their eyes, and their sudden joyful voice trying to share with you a concept, a theory. They continuously use words such as invention, beauty, freedom. You then ask yourself : how such a rich language, this quasi-philosophical proposition about the world becomes rejected by a majority, 'the only discipline where one prides itself to be bad at it'!

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

Marizette, Christiane, Pierre, Léon, and José… are some of the people, funny and moving, united together in a merciless struggle to save their land. A determined and joyful fight, but one that is also very trying and dangerous.

A young woman begins a new life at the Apollonide bordello, a high-class brothel in Paris at the turn of the 20th century.

A few girls in an apartment. Across the street men are building a mosque.

Bertrand (Mathieu Amalric), a film director, is conducting research for his latest film, and asks a funeral director if he can stay back at his funeral parlour after the close of business. Bertrand cannot resist getting into a coffin, and accidentally knocks the lid down, locking himself in the coffin.

Yacine is in his 30s, of Algerian origins, and has come to Paris looking for inner peace. A playful and poetic quest leads him via all kinds of strange encounters to an increasingly surrealist world and to Andalusia: a state of mind.

A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.

Olivier, a very young provincial player, has become, within a few months, the icon of an unusual rugby team.

Danielle (Bernadette Lafont), a grandmother in her sixties, is planning to take her two grandchildren to their father’s house for the Easter vacation. Since retiring as a schoolteacher, Danielle has regularly taken on this responsibility after her daughter’s divorce. This time, however, the children’s father is not there to welcome them, giving Danielle the opportunity to spend a bit more time with her grandchildren and to take them out for the day. Jumping at every opportunity presented to them, Danielle soon transforms this day-outing into an impromptu holiday. Only what starts out as a fun adventure gradually turns into an inexorable deconstructing experience, and it soon becomes impossible for Danielle to contemplate taking the kids back…

Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.

Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival.

Louis and his Daddy are driving back home. Daddy is a past master at clowning, which does not necessarily make Louis laugh. At times Daddy gets awfully mad, picking on people who don't deserve it. That also does not make Louis laugh. But Daddy IS sweet. He knows how to soothe Louis when he is very very upset. And he can rock-a-bye his baby with a song by Niagara. Daddy has been rather slipshod lately. And ill-shaved. And has had hair-raising nightmares. Louis can burst into tears just because a little girl refuses a sticker he wants to give her. What's wrong with Louis and his Daddy? Written by Guy Bellinger

Alice loves those who make her dream. Saleswoman in a video shop where she is bored, she longs for another life. Fortunately, she meets the beautiful Mickey whom she falls in love with. Mickey disappears and leaves Alice without news. Separation acts as a revelation. Finally they meet again. Alice decides to tackle everything and go on an adventure with him.

Based on the legend of Tiresias, it tells of a transsexual who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.

Fatima is a little girl of eight years. By opening and closing the refrigerator, she wonders if the light stays on when the door closes...

Sami, Tacchini, Yaya and Kader are four small-time crooks from the suburbs of Paris. After a failed robbery, their boss, Carlito, sends them to Canada to spy on his fiancée. There, they are mistaken for a band of professional killers and are hired to assassinate the heiress Léonore de Segonzac...

Jacques Laurent made pornographic films in the 1970s and '80s, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...

El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.

On the spur of the moment, 30-year old Alain gives up his well-paid job as a tester of computer games, but is uncertain over what do next. He takes up the offer of a place on a course to learn how to operate a bulldozer, although this means spending time away from home. During his training, he is paired up with a child-like younger man, Manu, who is passionate about wanting to drive a bulldozer but has no aptitude for the job. While his marriage starts to fall apart, Alain finds himself becoming more dependent on his relationship with Manu.

Dimitri, a Soviet cosmonaut of Soyouz 27 likes majorettes. Catherine and Laurent like making love. Jean-Paul II loves airports. Vincent loves boys.

James visits his young brother David who has just opened a hairdressing salon. the two brothers do not agree on how to become a successful hairdesser.

A commissioned short film about the AIDS crisis in France in the late 1990s.