Executive Producer
Bircan has decided to learn Kurdish, her once-forbidden mothertongue, with all the words her grandmother has forgotten and all the stories that have remained unspoken.
Producer
Our bodies store memories. The body does not forget. A childhood in Damascus, OCD, the revolution, falling in love with a woman. My body remembers, it keeps the trauma. And after all the losses, I had to start listening to my body.
Producer
Livingston skateboard park became internationally legendary. Forty years on, the park is no longer a favourite. That is until a group of school girls, passionate about skateboarding, step in.
Executive Producer
In post-revolution Libya, a group of women are brought together by one dream: to play football for their nation. But as the country descends into civil war and the utopian hopes of the “Arab Spring” begin to fade, can they realise their dream? And is there even a country left to play for? Freedom Fields is a film about hope and sacrifice in a land where dreams seem a luxury. Through the eyes of these accidental activists we see the reality of a country in transition, where the personal stories of love, struggle and aspirations collide with History.
Executive Producer
Directed and narrated by Maja Borg, Future My Love is a unique love story challenging our collective and personal utopias in search of freedom.
Producer
An omnibus project examining, well, the state of the world.
Executive Producer
Soon after her ‘big break’, Italian actress Nadya Cazan disappeared. Ottica Zero follows Nadya from her rejection of the monetary-based system to find an alternative way of living. It is a journey which takes us from Rome to Venus, where social innovator and futurist, Jacques Fresco, proposes a solution.
Co-Producer
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
