Director of Photography
神々と悪魔が、地上の支配を巡って戦っていた時代。ゴーラン王は魔王シャドワーを封印し、平和な王国を作りあげた。だがある時、王子のイルマが罠に落ち、復活したシャドワーに捕われてしまう。シャドワーを倒すため、イルマの弟マイロック王子は、王国の運命を背負い冒険の旅に出る。激しい戦いの果て、《聖なる甲冑》を手にしたマイロック。だがその前に立ちはだかったのは、シャドワーに操られたイルマの姿だった!
Screenplay
A young girl is getting ready to welcome a client at her apartment.The man, transposition of Don Quixote, following a precise ritual, devotes himself to the maniacal cleaning of four rooms. The girl, personification of Dulcinea, eats, reads, paints her nails and smokes. She dress up and she get undress as if Don Quixote is not present there and as if there is no relationship between them. The client, following a pathological scheme, steals some girl’s objects, he puts them in a plastic bag and than inside a small briefcase. Sometimes the objects he fetishizes are destroyed like victims of maniacal bursts. This mechanism leads to the repetition of a celibate and solitary rite.
Second Unit Cinematographer
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Director
Turin, 1909. Cesare Lombroso arrives at the isolated mansion of Lazar, an elderly illusionist. Lombroso, attracted to Spiritualism, challenges Lazar: to prove that the supernatural exists and that it may be the cause of a heinous crime.
Writer
Turin, 1909. Cesare Lombroso arrives at the isolated mansion of Lazar, an elderly illusionist. Lombroso, attracted to Spiritualism, challenges Lazar: to prove that the supernatural exists and that it may be the cause of a heinous crime.
