Eduardo Carvajal

参加作品

A Ballad for Dead Children
Eduardo Carvajal
'A Ballad for dead children' is a tribute to Andrés Caicedo and Cali and it's group, as the seed of a cinematographic phenomenon, but it goes one step further. Testimonies and fragment readings compose, together with a very powerful archive material, the story of a story that has a deep sense and cinematographic interest: the story of Andrés and his eternal fascination with horror literature and cinema b, the of the boy who was born to write, that of the young man who decided to mock death by planning his own ending. A film that tries to maintain the difficult balance on the fine line that separates and unites the two: man and work, work and man, in an eternal and indissoluble way.
Our Lady of the Assassins
Taxi Driver Clinic
World-weary arthur Fernando has returned to his native Colombia to live out his days in peace. But Fernando's once-quiet hometown has become a hotbed of violence, drugs and corruption. On the brink of despair, Fernando meets Alexis, a beautiful but hardened street kid who lives by the rule of the gun. Together, they forge an unlikely relationship.
Alguien mató algo
The Rose Seller
Still Photographer
Monica is 13 years old and has already created her own world, on the street, where she fights courageously to defend what little she has: her friends, her boyfriend, who sells drugs, and her dignity and pride that makes no concessions to anyone. On Christmas night, like every night, she sells roses to make a living. But life brings her a new appointment with loneliness, poverty, drugs and death.
Pure Blood
Still Photographer
Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.
The Vampires of Poverty
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
The Vampires of Poverty
Camera Operator
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
The Vampires of Poverty
Cinematography
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
Cali: de Película
Assistant Director
A 13 minute glimpse of the Feria de Cali celebrated between Christmas and New Year… A carnival of commodity fetishism, red devils and white indians that will be recognizable to anyone who has encountered the surrealist ethnographies of Michael Taussig.