Rachmat Hidayat

Kabayan undergoes a long journey to get his soul mate, Nyi Iteung, since Abah, the latter’s father, does not agree to have a son-in-law from the village. Kabayan has to go to the city to find his luck, assisted by his friend, Joni Kemod and his master, Nora Nori. Now, Kabayan, as a city person, is coming home to propose to Nyi Iteung. The film ends with Abah's acceptance of Kabayan for what he is.

Ricky (Ryan Hidayat) is so disturbed by the death of his girlfriend, Sita (Nike Ardilla), in a parachuting accident that he acts out anti-socially; all he does is drive around in his old, open-top jeep, hanging out with his gang and getting into fights. His bad attitude is exacerbated when he discovers that his father is having an affair with his secretary, while his mother is busy giving lectures to the public about juvenile delinquency. Eventually, he gets into a street fight with the older brother of a girl named Lita (Nike Ardilla).

Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.

Dudi Saleh (Rano Karno) and his wife, Tience (Eva Arnaz), get caught up in a misunderstanding when Tisna Subrata (Rachmat Hidayat) and Ratna (Ayu Lestari) become their new neighbors. Tisna is Dudi’s former professor, while Ratna is a former girlfriend. This misunderstanding is exacerbated by the interference of their Neighborhood Unit Head (Sena A. Utoyo), who is still a bachelor. A similar misunderstanding arises between Firman (Wawan Wanisar) and his wife, Ida (Ully Artha). The presence of sexy Neighborhood Unit secretary, Evita (Yurike Prastica), heats up the situation even more. The confusion is finally cleared up by Ohim (Salim Bungsu), a servant. In the end, the Neighborhood Head ends up married to the woman of his dreams.

Mr. and Mrs. Padmo celebrate their 25th anniversary but Mrs. Padmo's jealousy towards her husband's secretary, Ms. Retno, is sparked. The jealousy leads to many misunderstandings.

Kabayan is influenced by a friend to go to the city. In the city, a girl, Saribanon, whose father has been helped by Kabayan when he is robbed, secretly falls in love with him. But he already has Iteung, his girlfriend in the village. The story of that relationship, combined with his adventure in the city, finally ends with Iteung and Kabayan’s marriage.

Jamal and Kamil sell clothes on a street corner in Jakarta. The police often chase them. Over time, Jamal becomes angry and intends to change his luck by talking big and “selling” himself. He dresses up to look and act like a rich man, but tastelessly.

A man murdered by villagers for bothering a seductive girl returns in the form or a snake. The spirit then possesses a man to use as an instrument for revenge.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.

Hendra, a long-time bachelor and son of a wealthy family, falls in love with Rini. But Rini lives with her three uncles who are still unmarried and they become stumbling blocks for Hendra. Each of them wants Rini to marry different people. The choices are a theater actor, a boxer, and even a parachutist. Each of her uncles is fooled one by one. The person who finally helps Rini is her aunt, who blames the three uncles for being old bachelors, when they should be married.

Indonesian war movie set during the Japanese occupation of WWII.

About a teacher who tries to bring change to a backward village and is resented for his efforts.

Greedy characters attempt to use black magic to get their hands on a valuable estate. It works out about as well as you'd guess.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

A conscientious scientist develops the "deadliest explosive the world has ever known" but soon it falls into the hands of an evil criminal, Bruto. The five angels band together to stop Bruto's reign of terror.

A group of Javanese villagers are driven to revolt against the Dutch colonialists in this historical drama, which revolves around the themes of loyalty and treachery.

Rhoma’s father, Subrata, a businessman living in Bandung, expects his son to be an Economics graduate. Rhoma instead pursues his love of music, which is considered lowly by his father. This often causes conflict between them and Rhoma is finally thrown out of the house. So Rhoma travels to Jakarta and calls himself Budi. He lives with a group of street musicians and when one of his friends is seriously ill and needs money for medical treatment, his father rejects his call for help. So he grabs the bag of Ani, who is looking after his father’s paperwork. Budi pays for his friend’s treatment and returns the important papers to Ani. Budi’s friend dies, but Ani and her parents sympathise with him. Budi is hired as a personal driver for Ani. Love grows between them. Meanwhile, Subrata follows his wife’s suggestion to match Ani to Rhoma, with the hope that Rhoma’s attitude will change after marriage.

Rhoma, aka Budi, a vagabond again, is hit by a motorcyclist on a rainy day. Budi is taken back by friends and treated. Meanwhile, Ani finally finds the sick Budi. They then meet often causing Surya to become suspicious and he finally catches them together at Budi’s place. Ani is forced home. Budi urges his friends to stop playing music on the street like beggars. He becomes a taxi driver while some of his friends sell newspapers or work as construction workers. Then Budi disguises himself with a thick moustache and sunglasses and goes to Ani’s house as a piano teacher. Now Ani and Budi can be together freely in her house. Meanwhile, a taxi passenger hears Budi singing to himself and offers musical instruments that he just bought. Budi forms a dangdut (traditional Indonesian music) group with his friends and calls it Soneta, which quickly gains success.

Things spiral out of control for a dissatisfied wife after she cheats on her impotent husband with one of his employees.

The film tells a story about the problems that come from playing “judi buntut” (a type of lottery gambling). People start to think and act irrationally. In the end the police comes to set things straight.

Siska, a young woman was heartbroken after her fiancé broke off their engagement. Unwilling to see his sister depressed, her brother Johnny introduced her to his friend Leo, who is known as a womanizer.

Karno and Dina, grow up in a large fisherman village, and have carried on an affair till she is pregnant. Embarrassed, they leave for the city. Karno works as a truck driver and Dina becomes a tailor.

Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.

After the accidental drowning death of their son, a military truck driver begins to doubt the faithfulness of his wife.

Every country deserved their own Exorcist rip-off... and here's one from Indonesia! Imbalanced old spinster Laskmi is fed up with being mocked by her niece Dewi and one day dies after a drug overdose. Laskmi then decides to fuck up Dewi's world from beyond by possessing and torturing her, plus turning her into a murderess. In a surprising development, an exorcist is eventually called in to help.

Linda, eldest of the Mulyadi family, wants to continue her studies at a university in Yogya because she realises her potential. Her father approves this even though they are struggling financially as he is just a low-ranking staff in a bank. But her mother disapproves. Then her friend, Nancy, introduces her to Lukman, a playboy who likes her. Lukman becomes a bad influence and she is carried away by the lifestyle of the rich and forgets how hard her parents work to pay for her studies. The father drives a motorized rickshaw after work while her mother becomes a street vendor. One night, Linda and her friends are driving a car recklessly and hit the motorized rickshaw that her father drives. Linda’s friends run away while she stays to help her father. Suddenly, the scene changes to the school’s graduation where words of wisdom are given and Linda graduates thanks to her parents’ hard work.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Sri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.

Lono is a thief who steals from the corrupt on behalf of the poor.

A simple and rather clichéd story about a poor mechanic who experiences love at first sight with a rich girl. After enduring many obstacles, the couple finally realise their dream of having a family together.

Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.

Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.

Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.

Ahmad and Nuri work in the same bank in Jakarta. Ahmad loves Nuri, but Nuri has set her heart on Yanto from Bandung. Unfortunately, Yanto is attracted to Lila, while Lila is interested in Darso, the brother of Nuri. This five-sided love story becomes more colourful when Lila’s father’s cheque disappears. Then the bank sends Ahmad to investigate the case.

After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.

Herman, a customs officer assigned to eradicate smuggling, often loses his temper. When a smuggler’s ship is reported, he immediately orders a search-and-destroy but it’s a reckless act that results in the easy escape of other ships. Then Herman is posted to the mainland as punishment. Here, he reunites with an old friend, Rusli, who offers him a bribe. Herman is now a suspect as several of smuggling ships are able to escape. But it is Herman’s strategy to gain Rusli’s trust so that he can eradicate smuggling at its root. He is reposted back to sea.

During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.

Father gambles away his fortune, leaving the family penniless. Bambang Irawan leaves for the city to make money. He works for a wholesale company and is later adopted by the owner. He begins a romance with the wholesaler’s daughter and also with another girl who lives in the same house. But Bambang also has to deal with some naughty boys who also have their eyes on the wholesaler’s daughter.

Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.

This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.