Lars Forssell

Film by Staffan Lamm.

A portrait of Swedish crime writer Stieg Trenter (1914 - 1967), born Stig Johansson, he started out by using the name Stieg Trenter as pseudonym but soon changed his name to this in real life as well. His first novel was "Ingen kan hejda döden" ("No One Can Stop Death"), published in 1943.

The elderly Arnolphe has decided to marry a young woman, Agnes, whom he has fallen in love with. She is too young and innocent to realize what plans he has for her. But Agnes and Arnolphe's young friend, the dandy Horace, have fallen in love with each other. Their love is a threat to Arnolphe's attempt at getting married. Can the cunning Arnolphe stop them?

About the young film critic Gerd, who dream of interviewing actors like Jean Gabin and Jean-Louis Barrault and to one day direct a movie.

Jubilee show for Povel Ramel's 60th birthday

Somewhere in the archipelago outside Sandhamn lives the barber Assar Gustafsson and his 17-year old daughter Anna-Bella...

To increase sales of the magazine Veckohatten, the management decides to invest heavily in the beauty contest Miss Sweden. A communist cell is planning to sabotage the competition, because it is sexist.

Lawyer Hans is having an affair with his secretary Anni and is trying to get his wife to meet another husband. When his wife falls in love with another man, Hans instead becomes jealous and realizes his true love for Ellen.

A young man,Erik, breaks into a photo store. But he is discovered by the night watchman and has to fly. During the flight he is picked up by cabaret singer Margot, who offers him protection. Erik, now wanted by the police, stays for a longer time with Margot and becomes her lover. Margot, however, is not alone in recruiting Erik: even the young Li is interested in him.

A lonely night watchman at a department store develops a fixation on one of the store's mannequins. He soon steals her and brings her to his home, where he can be with her all the time. One day, she comes to life...

"Studie II (Hallucinationer)" (Study II (Hallucinations)) (1952), comprises twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.