Ko I-Chen

Xiaoyue finds that her mother has been working for a long time away from home when she receives the apples sent from her mother. Just entering her puberty, Xiaoyue comes from a new immigrant family from Vietnam. She is laughed at and bullied in school because her old father makes a living as a scrap collector. The rebellious Biyan always stands out for Xiaoyue. She even plans a three-day journey to see her mother with Xiaoyue. Ms. Chen is faced with a dilemma. She is going to retire but the after-school tutorial class in the community is the only place for her to care her students. For Xiaoyue and her friend Biyan, her class is their hope.

More than 20 years ago, there were three "Ban Dou" master chefs who dominated the catering business in Taiwan. However, the street banquet business has been in decline since Taiwan's economic boom. Master Fly Spirit wants to pass the family recipes and culinary skills on to his only child, Wan, but she desperately wants to run away from the family business and to become a film star.

ヒンズー教とキリスト教とイスラム教とを同時に信奉し、かつ円周率を延々と暗記するほど賢く、泳ぎや楽器も得意な少年パイ。インドで動物園を経営していたパイの一家は、新天地を求めて動物とともにカナダに移住を決断。しかし乗船した日本の貨物船は太平洋を北上中に海難事故に遭い、16歳の少年パイが人間では唯一の生存者となる。

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

A triptych reinterpreting Shakespeare's classic character Juliet. The three stories are directed by 3 different directors; Juliet's Choice (By Hou Chi Jan), Two Juliets (By Shen Ko Shang), and Another Juliet (By Chen Yu Hsun) Juliet's Choice : In the 70's, Ju worked in a printing store where a boy with a banned article changes her life. Two Juliets : Mei is told that in the 80's, a woman faked insanity to be locked up just to wait for her lover. Another Juliet : In 2010, "Juliet" tries to commit suicide but a TV commercial crew gets in the way.....

Hsu, retired, craves for grandchildren while his two sons still staying single. Preventing from losing memory, he takes a camera back to hometown to shoot an autobiography for his unborn grandchildren.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

There is usually only one full moon every month, but occasionally there are two – and that second full moon is called the Blue Moon. It is said that when a person sees a blue moon and makes a wish, he will be granted a second chance in things.

There is usually only one full moon every month, but occasionally there are two – and that second full moon is called the Blue Moon. It is said that when a person sees a blue moon and makes a wish, he will be granted a second chance in things.

'Such a Life' is quite a sad film. It is set in the sixties, in a village on the west coast of Taiwan, where many are succumbing to 'black foot', a disease caused by drinking contaminated well water. The only 'cure' is to amputate the afflicted limb, and to avoid drinking the contaminated water. Many in the village were already sick, and few could afford to have tap-water installed. At the center of the story is Ah Chung, who lives with his grandfather, who has already lost one leg to 'black foot'. In the same village also live an opera family, who are finding things increasingly difficult there, an oyster farmer, who complains that his oysters are being poisoned by a nearby pharmaceutical plant, and an assortment of children who enjoy swimming in the sea, and who bully Ah Chung. A significant portion of the action also takes place in the village school, where Ah Chung is having trouble keeping up with the fees.

Winston Chen, a prominent businessman, goes missing after racking up $100 million in debts to the Taipei underworld. Two enforcers sent to find him, and they track down his son, Red Fish, the leader of a street gang.

At an old age, a former political prisoner is determined to find out where his fellow sufferers have laid since their secret execution, while Taiwan embarks on a tumultuous path of democratization.

Dolly, a lovely, adorable little girl from the mountain region. Due to the death of her parents, she was sent to her parents' friend, Mrs. Chu's care. When Dolly and her mini pig playmate, Guava, first came to Taipei, they brought a great change in the life of the Chu family and created a series of thrilling amusing incidents. One day, Papa Chu brought Guava to the office but negligently lost it. When Dolly heard that Guava got lost, she was very sad and decided to leave home to search for Guava. In order to help Dolly, Chu Pi, Papa Chu's son, called his buddies to join Dolly in the search of Guava. An interesting, worrying search journey by a group of children began...

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

Jeui is a teenager who lives in Tamshui, near Taipei City. Jeui never liked to go to school. One day he meets Old Man Shu on a train to Tamshui. Jeui decides to run away from school and spend the day with him on the streets. Accompanied by Old Man Shu, Jeui wanders about in this small town. Jeui loves to play the suona, and falls in love with a sales girl working in a record store. Old Man Shu tries to help Jeui without letting him know. Through Jeui and her do not turn out to be a couple, they share a good friendship since then. However, there are some misunderstandings between Old Man Shu and his children. One day he disappears after a quarrel with them, causing everyone to worry. While looking for Old Man Shu everywhere, Jeui realizes how important he is to him. When Jeui finally finds him, he is sitting alone by the river bank Jeui's care and comfort cheer up Old Man Shu. This is a story of friendship between the young and the old in the small town of Tamshui.

Jeui is a teenager who lives in Tamshui, near Taipei City. Jeui never liked to go to school. One day he meets Old Man Shu on a train to Tamshui. Jeui decides to run away from school and spend the day with him on the streets. Accompanied by Old Man Shu, Jeui wanders about in this small town. Jeui loves to play the suona, and falls in love with a sales girl working in a record store. Old Man Shu tries to help Jeui without letting him know. Through Jeui and her do not turn out to be a couple, they share a good friendship since then. However, there are some misunderstandings between Old Man Shu and his children. One day he disappears after a quarrel with them, causing everyone to worry. While looking for Old Man Shu everywhere, Jeui realizes how important he is to him. When Jeui finally finds him, he is sitting alone by the river bank Jeui's care and comfort cheer up Old Man Shu. This is a story of friendship between the young and the old in the small town of Tamshui.

Ip Cheung and her husband, a senior police inspector, had been happily married for 18 years. One day, Ip runs into her neighbour, a Taiwanese woman. As they are talking, three men suddenly appeared and tried to kill them. The Taiwanese woman is killed but Ip and the kid, Yen, managed to escape. At the same time, Ip's husband commits suicide. His superior suspected him of corruption. Ip finds out that the Taiwanese woman was her husband's mistress and Yen, his illegitimate son. Ip is given custody of Yen but they are unable to get along. However she will save his live when the gang go after him.

The story begins in the 1950's when a group of happy naive primary school students surround a young female teacher. These playmates from childhood are now going through an embarrassing age of adolescence. They get together once again at high school and return to their almamater paying a visit to their teacher. Their reunion goes wonderfully until one of them drowns. Their teacher's husband gets killed while attempting to save the students. In their early 20s, most of them graduated from college and subsequently start their first jobs. Some of them start their career early, some decide to study abroad, and others get married. As for their teacher, she devotes herself to "special education" following in her husband's footsteps. When they are reunited at the age of 40, each of them has experienced different trials of life. In search of good old memories of childhood, they gather together again to walk the corridors of their almamater.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

Taiwanese comedy film.

After her six year old son is kidnapped, a successful fashion designer must work with a detective to clear up the terrifying mystery and get her son back.

After her six year old son is kidnapped, a successful fashion designer must work with a detective to clear up the terrifying mystery and get her son back.

The startling contrast between old and new Taiwan is the subject of Wan Jen's epic of traditional identities coming into conflict with an urban life, emphasizing the situation of women.

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

A young wife paces around a dark room. Lust and violence interweave into a fantastical web. Loitering between her lover, husband, and child, her painful memories of abuse continue to emerge. She cuts her wrist with a razor. In her final moments, the wayward feminine powers are recalled once again by patriarchy.

On a mountain climbing trip, a man falls into a mysterious forest. In a trance, he beholds a woman in white approaching. Tempted to stay but yearns to escape, he repeats this cycle day and night. Failing to locate the exit, he gradually wanes and ages, finding himself lost both in the forest and in time.