Jochen Alexander Freydank

Berlin in the near future: A secret meeting takes place between a board member of the dominant internet company "Freemee" and members of the government. Camera drones film it unauthorized and document the events live on the Internet. The anonymous net activist group "Zero" is publicly committed to the media attack. Online journalist Cynthia Bonsant, widow and single mother, has been asked to do background research on "Zero" by the head of the online magazine "Daily". The group is classified as a terrorist organization, but according to their own statements they fight the excessive influence on the population through the so-called "Act App", which contoles the lives of users. When a friend of Cynthia's 17-year-old daughter Viola is shot dead in a hunt for a criminal, "Zero" contacts her and tries to recruit her for their own purposes. In the meantime, Cynthia has bad suspicions during her research, because soon a new version of the app will be released that will change everything.

The unsuccessful writer Max Rhode is a law-abiding citizen. But what Max doesn't know yet: In a few days he will commit a crime so horrific that it is hard to imagine for a human being.

One night, a person is pushed in front of the S-Bahn. There is no witness, and the police assume suicide. Even Chief Inspector Claudius Zorn paid no attention to the incident. He's busy persuading Schröder to become his partner again. What neither Zorn nor Schröder suspect: The culprit is very close to her. And has a number of new victims in the sights. People who are close to the two investigators.

KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...

KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...

KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...

To protect his fortune, billionaire Zhixiong Lin gives his daughter Lindan a crystal necklace with a hidden USB drive with all of his overseas banking info. After a criminal syndicate manufactures a car crash that kills Lindan and sees the USB go missing, the investigation is further complicated by the emergence of a woman identical to Lindan.

It could be as simple as this: He is Death and a young woman is on his list. With polite words, he tries to convey the ominous message gently to Jela Becker. But the vivacious young lady never dreamed of surrendering to death without protest. how could she She's only 31! Her husband and nine-year-old daughter Lucy need her. Death hesitates for just a moment - enough time for Jela to flee...

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?

Happy End is a black comedy by Jochen Alexander Freydank.

Happy End is a black comedy by Jochen Alexander Freydank.