Art Direction
Jiao is framed for rape and murder (and, later, two more murders) by Chen and his son - the same people who framed Jiao's father and left him orphaned. Into the mix comes THE LADY OF THE LAW, Miss Leng, whose job it is to find the guilty. This she does, and she and Jiao find themselves battling pretty much everyone else who's appeared in the movie up to this point.
Set Decoration
Heroes of Sung stars one of the original kung-fu ladies of the silver screen Shih Szu playing swordswoman Meng Hung who must work with Fan Tien-fu, played by perennial Shaws bad guy Lo Lieh (although he's good in this) to find then protect the royal seals of the Sung Dynasty. If they should fail, the dynasty will fall. Shih's magnificent performance earned her the female hero role in the Shaws-Hammer Studio hit "Dracula" and the 7 Golden Vampires.
Art Direction
A small village is taken over by the nasty Japanese, who kill the town's top kung fu fighter in order to scare the populace into submission. Escaping the wrath of the Japanese, the son of the master flees into the hills, where he trains with a group of rebels led by Gam Kei-Chu. Fast-forward ten years, and Chuen returns to the village armed with his father's secret technique of the Thunderbolt Fist with the hopes of killing the leader of the Japanese.
Art Direction
Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.
Art Direction
The Yang family, men and women, have served their country loyally for generations. During the war General Yang is ambushed and killed. His widow and the entire family set out to avenge his death and defend the country.
Art Direction
The Jiuxian Witch and her Bloody Ghouls Clan (somehow you just know that these aren’t the good guys) are planning domination of the Martial Arts world. Standing in their way are two clans who posses a magic mirror each. The two clans enjoy friendly relations, but when one mirror is stolen and the blame seems to rest with the other Clan, suspicions and tempers run high. It’s left to the young renegades from each Clan to find the true culprit or culprits, and to ease the tensions of their families. Not to mention ridding the world of the evil Jiuxian Witch.
Art Direction
This creepy kung fu film fight-fest centers on the evil Madame Kung Sun and her poisonous "Finger of Doom", a unique supernatural power which allows her to transform normal, everyday people into horrifying zombies! In the face of this devastating talent, only one person has the guts to stop Madame Kung Sun in her chilling bid for martial arts supremacy - the villainess' own sister. But it's not something she can do alone, so this heroic young woman joins forces with three world-weary martial artists, The brothers-in-arms were actually looking to retire from the world of Jiang Hu, but now find themselves thrown back into the mix, embarking on one last mission to save the world from machinations of the venomous Madame Kung Sun!
Art Direction
Instructor Lin who is home from training the imperial troops for several years. He meets his wife and runs into his brother who has become a monk at the local temple. His superior Lord Gao, strangely decides to rape Lin's wife in the temple but Lin interrupts the crime. His brother is enraged and tries to kill Gao but Lin stops him with the help of Lin's training brother and old friend Lu who works for Gao. Lin is loyal to the Commissioner and will not do anything to harm his son. Once back at the Commissioner's house, Gao and Lu hatch a plan to discredit and eventually kill Lin all with the Commissioner's approval. The plan is put into motion and Lin is unjustly arrested for trespassing on imperial property.
Art Direction
Renowned writer Shen Chiang had become so popular for his scripts that the studio let him direct as well. Here he continued his winning ways with this tale of the end of the Sung Dynasty and the survivors who band together to save their prime minister. Shen outdoes himself with this bold and stirring story of daring Sung avengers (led by Shaws' first international star, Lo Lieh), who must fight their way out of trap after trap.
Scenic Artist
In a rare reversal of typecasting, Shaw Brothers' perennial bad guy Lo Lieh breaks tradition to play the honorable and noble swordsman in The Swift Knight. It's a tale of brave knights, chivalry and fair maidens where the Swift Knight (Lo Lieh) finds himself involved in romance, court intrigue and deadly jousts while trying to protect the lives of a pair of siblings as the fate of the throne depends on them.
Art Direction
The swordsman Zhang Zhen is injured in a misadventure and rescued by Eldest Sister of Changchun Sect, who has a crush on him. However, Zhang falls in love with the maid Yuenu instead, and conceives twins with her. The couple are killed by a group of evil pugilists later. The Eldest Sister is angry with Zhang Zhen for not accepting her and plans to make Zhang's children kill each other as revenge. The baby girl (Xiaolu'er) is saved by Zhang's friend, Lian Lanyan, while the male infant (Hua Yuchun) is taken away by the Eldest Sister. Lian Lanyan encounters the Ten Villains when he passes through Villains' Valley. He is overwhelmed by them and knocked out in a fight. The baby Xiaolu'er is taken away by the Villains, who surprisingly do not harm her, and instead intend to groom her to become the greatest villain ever. Eighteen years later, the twins meet each other by coincidence.
Art Direction
The Yu family earn the ire of the Green Dragon clan when the daughter kills the clan chief's son. The Green Dragon chief wounds family head Yu Yuan with his flying daggers, and kills many others who try to protect the noble family. Wandering swordsman Ying Qing saves the family in a fight, using his own flying dagger skills, but his allegiances and motives are unclear.
Art Direction
前作の大ヒットを踏まえて製作された第2弾。本作の見どころは何と言っても、画面上に次々と登場する斬新なデザインの刀剣の数々に、主人公が剣術のみならずアイデアで立ち向かうバトル・シーン。これが原点となり、主演のジミー・ウォングの代表作となる『片腕ドラゴン』等にも受け継がれている
Art Direction
The bandits of Hulu Valley murder the chief of Mei Clan while searching for a treasure map. In retaliation, the clan’s leading swordsman Feng-chun (Chan Leung) infiltrates the bandit’s fortress hideout in anticipation of a surprise attack by a larger force and unexpectedly finds himself romantically involved with the bandit leader’s feisty daughter (Cheng Pei-Pei).
Art Direction
A simple woodcutter named Wei Fu finds his world shattered when three murderous horsemen arrive to kill his family and kidnap his sister. Left with nothing but his mother’s bell-laden bracelet, he sets out to seek his revenge. Lucky for him, Wei Fu encounters a master swordsman, who takes him under his wing.
Art Direction
In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...
Scenic Artist
Yu is a two-armed swordsman who is betrayed by a jealous rival, but initially seeks a life of simple pleasures until an accidental meeting with another patriot sets him back on the road to bloody, brutal vengeance.
Art Direction
Art Direction
香港映画史に残る武侠アクションの傑作で、『片腕ドラゴン』『片腕カンフー対空とぶギロチン』の原点であり、“天皇巨星”ジミー・ウォングを一躍スターに押し上げた記念的作品。
Art Direction
The adventures of a young married swordfighting couple, Lianzhu and Gui Wu, and the swordfighting members of their different clans.
Art Direction
Huangmei Opera movies like The Pearl Phoenix are unique to 1960's Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is complete with a gender-bending tale where the male lead is played by female and the female lead poses as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!
Art Direction
Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...
Art Direction
The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.
Art Direction
THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.
Art Direction
The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.
Art Direction
With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.
Art Direction
The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...
Art Direction
A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.
Art Direction
Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?
Art Direction
The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...
Art Direction
Beyond the Great Wall is a true story based on how Wang Chao-chun sacrificed her love and life for the good of the Chinese people during war time fears between China and the Huns.
Art Direction
Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?
Art Direction
This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.
Art Direction
About a woman who disguises herself as a man to take her father's place in the army.
Art Direction
Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.
Art Direction
A woman in an arranged marriage falls in love with her husband's brother.
Art Direction
Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).
Art Direction
The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.
Art Direction
Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.
Art Direction
The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.
Art Direction
This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.
Art Direction
Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.
Set Designer
Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.
Set Designer
A middle-aged couple adopt a young girl.
Art Direction
Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.
Art Direction
After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.
Art Direction
The town is rumoured to be haunted. Cheung Siu-chen pretends to be possessed so that her lover Lau Tin and his friend Lee Luk may heroically exorcise the ghost and curry favour with her father. Driven by greed and lust, the attendant of the ancestral temple and his underlings cast an enticing spell on Cheung and claim that Cheung is possessed with a fierce ghost. Lau and Lee expose the hoax and redeem Cheung. Cheung's father happily gives his consent to the marriage between his daughter and Lau.
Art Direction
Early Shaw Brothers comedy
Art Direction
Wan Jialiang, a factory worker, and Lu Xiuzhen fall in love and live together. Hou Liang is supported by Dong Yaqin, his cousin, and their lives improve. Desperate to get rid of Jane, who is pregnant, Jialiang plans to make her fall into the sea and die.
Art Direction
Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.
Art Direction
A Shaw Brothers production
Art Direction
Iron-Beaked Hen and Fatso Bo on their way to the city to help a relative out of some trouble, they run into a band of robbers. They stop over an allegedly haunted house where they save the lovers To Lok-yin and Yu Mei-yung from their attemped suicide. Hen learn their story and decide to help them out. Yin comes from a rich family, he lost his father when he was very young and was brought up by his uncle. Now that he is old enough to claim his inheritance, the guardian, his uncle, in order to keep the fortune under control, forces him to marry a girl of his choosing. The couple cannot face separation and resolve to end their lives together. Hen thinks of a way to help them, which involves Yin pretending to comply; that is, to go ahead with the marriage arrangement. On the wedding day, they swap the bride with Yung. Disguised as a matchmaker and a county official respectively, Hen and Bo reprimand To's uncle who schemes to seize To's family fortune. To and Yu marry.
Art Direction
Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!
Art Direction
A Chinese musical fantasy
Art Direction
Chinese Opera genre picture directed by Chun Kim.
Art Direction
Comedy directed by Fung Fung
Scenic Artist
Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.
Art Direction
Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.
Sets & Props Artist
Starring in numerous singing films, Zhou Xuan was one of the most beloved singers in both cinema and recording industries for her 'golden voice'. Popular nightclub singer Zhu Lan (Zhou) is originally in love with impoverished painter Fang Zhiwei (Gu Yelu), but is taken advantage of by rich playboy Ye Chunhua (Wang Hao) at her most vulnerable time. To add to her misfortune, Zhu discovers her being an adoptee. She also learns the heartbreaking truth about her birth parents which intertwines with her own life across generations. Eventually, irreversible tragedy awaits with revenge exacted for past wrongs. In a case of art imitating life, the songstress's life and upbringing resemble Zhou Xuan's own, making the film even more heart-wrenching. The 'Song Fairy' Chen Gexin composed the film's entire music with six songs sung by Zhou. 'Song of a Songstress', sung towards the end of the film, adds poignancy to the film with its discourse on the joy and sorrow in life.
Set Designer
Teacher Huang San extends to his pupils the high principles of patriotism, thus arousing the hatred of the occupying Japanese. Huang is forced to flee and to escape from the Japanese clutches. One night, he helps a robber escape from a pursuing Japanese officer by firing his gun and thus unintentionally kills the Japanese. Huang San follows to his hideout and from then on, Huang San joins the bandits. Huang San attempts to rob a house but discovers that the occupant is none other than his student Wang Zhongkang who is involved with the guerrillas. Huang San decides to help Zhongkang raid the military arsenal of the enemy. However, as Huang gradually gains the trust of their chief, some jealous associates within the bandit group informs on him. Huang and Zhongkang carry out their raid amid a fierce confrontation, Zhongkang successfully implements his mission but Huang is killed in the battle.
Sets & Props Artist
Hotelier Pak Kam-lung meets Cheung Yuk-neong on a ship travelling to Hong Kong. In Hong kong, Kam-lung searches for Yuk-neong's whereabouts and throws a costume party to lure Yuk-neong. He finally meets Yuk-neong again but she is cool towards Kam-lung. In order to get close to Yuk-neong, Kam-lung disguises himself as a hotel attendant. Meanwhile, the gentleman-thief Yu Yat-chi is attracted by Yuk-neong's diamond brooch. Yat-chi poses as a banker to get close to Yuk-neong. He lures Yuk-neung to his hideout by falsely claiming that her father is hurt in hospital. Yuk-neung is kept prisoner in an attempt to force her father to hand over the diamond brooch. Kam-lung puts on a female disguise to penetrate the hideout to save Yuk-neong. His disguise is seen through by Yat-chi, but fortunately, the police is alerted in time. The bandits are arrested. Finally, Kam-lung and Yuk-neong are married.
Sets & Props Artist
Gao Zhijian is the good friend of married couple Li Xiangmei and Hou Xinming. They live in the foreign settlement quarter of Shanghai. zhijian is a teacher,Xinming is involved in underground work against the Jpanese, while Xiangmei is a musician. The Pacific War erupts; the Japanese occupy the foreign settlements. Xinming is called off to work for the war effort, leaving behind his wife and blind mother. Zhijian aids Xiangmei and her mother-in-law with financial assistance. To earn money, Xiangmei becomes a song girl in a dance hall through the recommendation of her friend Liu Qing, arousing anger in Zhijian. Zhijian is soon arrested for teaching anti-Jpanese propaganda to his students and it is due to Xiangmei and Liu qing's efforts that he is released. From this,Zhijian learns of Xiangmei's difficulties and feelings of love grow between the two friends. The war ends. Xinming, minus an arm, returns to his wife and mother. Seeing his friend reunited with his family, Zhijian leaves.