Producer
When filmmaker Elettra Fiumi inherited her father Fabrizio Fiumi’s archives, she discovered a man she knew nothing about. Fabrizio, along with the group of radical architects called 9999, imagined architectural innovations and anticipated a future that is still forthcoming. He was also founder of the Florence Film Festival. In coming to know her father, Fiumi unveils a visionary genius we don’t know enough about.
Producer
Reggie Austin is in San Quentin prison, serving a life sentence. When a film crew goes to the prison to film a documentary and stage a concert to honor sax great Frank Morgan (who once served there), Reggie steps up to perform. It changes his life forever.
Producer
Millicent "Millie" McCrory, also known as “The Paint Wizzard” around Austin, TX, is an accomplished housepainter who works in a miniskirt, crop top and signature cat ear headband. Born and raised as "Michael" in a conservative Morman household, she never felt that she could be her true self. A few years ago, at the age of 58, she gained the courage to change her name to Millie and adopt female pronouns. While she identifies as transgender, Millie still struggles with her own ideas of gender and social norms. The film follows Millie in her daily life, as she wrestles with questions of identity and acceptance, painting a hopeful, poignant and honest portrait.
Director of Photography
Millicent "Millie" McCrory, also known as “The Paint Wizzard” around Austin, TX, is an accomplished housepainter who works in a miniskirt, crop top and signature cat ear headband. Born and raised as "Michael" in a conservative Morman household, she never felt that she could be her true self. A few years ago, at the age of 58, she gained the courage to change her name to Millie and adopt female pronouns. While she identifies as transgender, Millie still struggles with her own ideas of gender and social norms. The film follows Millie in her daily life, as she wrestles with questions of identity and acceptance, painting a hopeful, poignant and honest portrait.
Director
Millicent "Millie" McCrory, also known as “The Paint Wizzard” around Austin, TX, is an accomplished housepainter who works in a miniskirt, crop top and signature cat ear headband. Born and raised as "Michael" in a conservative Morman household, she never felt that she could be her true self. A few years ago, at the age of 58, she gained the courage to change her name to Millie and adopt female pronouns. While she identifies as transgender, Millie still struggles with her own ideas of gender and social norms. The film follows Millie in her daily life, as she wrestles with questions of identity and acceptance, painting a hopeful, poignant and honest portrait.
Director
In the 1980s, Jan Stephenson made a rousing run to the top of the LPGA, with a golf game to win championships and a sex appeal that sparked controversy. But no matter what people said or thought about Stephenson, one this is undeniable - she livened up the tour for nearly a decade with her colorful life.
Director
The story of legendary New York City disc jockey Bob Fass who pioneered free expression on the airwaves with his long running FM program 'Radio Unnameable'.
Producer
Immortalized in the world of improv comedy, Second City veterans TJ Jagodowksi and David Pasquesi explore the unique partnership and transcendental forces that govern their legendary performances.
Producer
A look behind the scenes at the making-of the bull riding documentary ‘Rank’.
Executive Producer
A visual history of Italian western cinema in the 60s and 70s.
