Hanjirô Nakazawa

参加作品

青春の門 自立篇
Director of Photography
Mid 50s: the trials and tribulations of Shinsuke Ibuki, freshly arrived in Tokyo from Kyushu.
青春の門
Director of Photography
The story of Shinsuke, a young man who lives through a stormy life as a poverty-stricken coal miner. Ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of his life. Shinsuke's father a group leader at the mine, dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a friendly Harley-riding yakuza boss. This movie has it all, drama, romance, sex, yakuza and violence! It is based on a story by Hiroyuki Itsuki that was originally serialized in the magazine Shukan Gendai in 1969-70.
動乱
Director of Photography
昭和7年。生活苦のため、姉の薫が芸者として売られることになったと知り、仙台の連隊から初年兵の溝口が脱走した上、捜索隊の上官を殺害するという事件が発生。どうか情状酌量をという宮城隊長の嘆願もむなしく、溝口は銃殺刑に処せられ、宮城も朝鮮の守備隊への転任を命じられる。その地で宮城は、芸者となっていた薫とくしくも巡り合う。その後、宮城は薫を妻にするが、皇道派の青年将校となった彼は次第に苦悩の色を深める。
Tenshi No Yokubô
Cinematography
Tenshi No Yokubô
赤穂城断絶
Director of Photography
「柳生一族の陰謀」の深作欣二と萬屋錦之介が忠臣蔵に挑んだ大型時代劇。様式美にとらわれないドキュメンタリータッチの作風で描く。 吉良上野介に対し刃傷に及んだ浅野内匠頭が切腹させられ、赤穂はお家断絶となり、領地を召し上げられてしまう。大石内蔵助は家臣たちから誓紙血判を集め、仇討ちの準備を始める。
冬の華
Director of Photography
関東ヤクザの一大勢力、東竜会幹部の加納は、東竜会を関西連合と合併させようと画策していた兄貴分の松岡を殺すはめとなり、まだ幼い松岡の娘・洋子の世話を舎弟の南に託すと、旭川刑務所に送られる。それから15年後、服役を終えて加納は出所するが、彼の不在の間に東竜会の連中はすっかり様変わりしていた。服役中、ブラジルにいる伯父と偽って洋子と文通していた加納は、すっかり美しく成長した彼女の姿を目の当たりにする。
Shojo Kankin
犬神の悪霊
Director of Photography
日本各地に残る犬神憑きや狐憑き伝説。その憑き物を代表する“犬神憑き”に題材を取って、現代の都会と山村で次々と起る怪奇現象と取り憑く身の毛もよだつ恐怖を、リアルで大胆な映像感覚で描いたカルト的名声高いホラー大作。とくに犬神が可憐な少女に憑依して天空を疾駆する息もつかせないバトルは見応え十分である。
武闘拳 猛虎激殺!
Director of Photography
和製ドラゴン・倉田保昭の東映初主演映画。灼熱の国メキシコで闘技の修行を積んだ主人公・竜崎鉄次(倉田)が日本に帰って来た。父と兄の仇を求めて自ら火中にとび込む鉄次の眼前に、おどり出るベンガルの人喰い虎と武斗集団。猛虎シーザーの牙か、鉄次の必殺地獄突きが勝つか!?難攻不落の宿敵に立ち向かう主人公の手拳がスクリーンいっぱいに炸裂する空手アクション娯楽映画。
必殺女拳士
Director of Photography
A karate master played by Sonny Chiba is attacked and left crippled and blinded in one eye. He trains his daughter (Etsuko Shihomi) with the intention of her avenging not only himself but a murdered friend.
トラック野郎 御意見無用
Director of Photography
ケンカっ早い独身の長距離トラック運転手、《一番星》こと星桃次郎と、妻や何人もいる子どもを養うのに忙しい《やもめのジョナサン》こと松下金造。2人は性格も生活の様子も正反対だが固い友情で結ばれた同業者同士。トラックの装飾とハンドルさばきを自慢する桃次郎に、西日本一のトラック野郎を自称する《関門のドラゴン》が挑戦してくる。同じころ、桃次郎は盛岡のドライブインで働くウエートレスの洋子に一目惚れしてしまう。
青い性
Director of Photography
Pinku from 1975.
仁義の墓場
Cinematography
A look at the life of renegade yakuza, Rikio Ishikawa, particularly the years from 1946 to 1950 when his violent antics get him in trouble with his own clan, Kawada, and then with the clan of his protector, Kozaburo Imai. In these years, he can rely on Chieko, a young Tokyo courtesan who gives him shelter. He's banished to Osaka, where he picks up a drug habit. Through it all, he keeps his friends and enemies off balance with unpredictable behavior - and he seems indestructible.
安藤組外伝 人斬り舎弟
Cinematography
Set in Shibuya in 1949, this is another film based on real life former yakuza boss Noboru Ando's memoirs.
三代目襲名
Cinematography
Based on Kazuo Taoka's autobiography, this film follows a Kobe gangster as he builds the small Yamaguchi-gumi into Japan's largest criminal clan.
女囚さそり 701号怨み節
Director of Photography
さそりこと松島ナミは、鬼警部・児玉の執拗な捜査により逮捕された。だが、護送中に事故が起きてナミは脱走した。負傷したナミを手当したのは、ヌードスタジオの照明係であり、元学生運動過激派のメンバー・工藤であった。工藤は警察のリンチにより、片足が不自由になっていた。2人はいつしか犯罪者意識で通じ合う安心感を覚えるようになるが、2人に嫉妬した工藤の愛人のみどりは密かに警察へ通報する。
実録安藤組 襲撃篇
Director of Photography
This biopic of notorious yakuza-turned-actor Noboru Ando focuses on the days leading to his arrest after the shooting of businessman Hideki Yokoi.
海軍横須賀刑務所
Director of Photography
When a rebellious roughneck enlists in the Navy and goes on a rampage against his superiors, he is sent to the Yokosuka Naval Prison.
実録・私設銀座警察
Director of Photography
After a desperate gang of ex-soldiers and gamblers meet in a fistfight in occupied Ginza they decide to make the neighborhood their own.
やくざと抗争 実録安藤組
Director of Photography
Set loose in a postwar world with no rules, an ex-juvenile delinquent begins building the most powerful gang in Tokyo's glittering Shibuya ward.
人斬り与太 狂犬三兄弟
Director of Photography
The great Bunta stars as a gangster who is sent to jail for the sake of his gang, but when he’s released he finds everything completely changed and his gang has swept him aside for being too violent. He tries to start a new life with his two ”brothers” but can’t seem to escape old affiliations
女囚701号さそり
Director of Photography
女子刑務所からの脱走を企てたナミと由紀子だったが、二人のもくろみは失敗に終わる。ナミは刑事の杉見と恋人同士だったが、麻薬のおとり捜査に使われた上、杉見に裏切られてしまった。ナミは復讐のため杉見を襲うが、逆に逮捕されてしまったのだ。ナミは刑務所で他の女囚から嫌われていたが、唯一、由紀子とだけは親しかった。ある日、刑務所で暴動が起こり、由紀子が射殺されてしまう。
現代やくざ 人斬り与太
Director of Photography
After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.
銀蝶渡り鳥
Director of Photography
Gang leader Nami (cult film legend Meiko Kaji) kills a member of a yakuza group and goes away to prison. Upon her release three years later, she’s a shamed woman confined to living in the shadowy world of sex clubs and street gangs. She returns to the city to live with her uncle, a billiard-hall owner, and after befriending pimp and ne’er-do-well Ryuji (Tsunehiko Watase), she gets a job working at a hostess club in the chic Ginza neighborhood, where the expensive shops and neon lights conceal a dark world of crime and sexual slavery. But when a rival gang attempts to muscle in on the club, Nami becomes enmeshed in a violent struggle that forces her to wield a skilled pool cue to defend her uncle’s business, and eventually a short sword to wreak bloody vengeance upon her enemies.
喜劇セックス攻防戦
Cinematography
A con man sets up a consulting firm where he poses as a doctor specializing in curing people of their sexual problems and hang-ups.
セックス喜劇 鼻血ブー
Director of Photography
Comedy about a car salesman who invents a condom against premature ejaculation.
ずべ公番長 ざんげの値打ちもない
Cinematography
Reiko Oshida stars as a young wannabe gangster tough girl, just released from reform school. She tracks down one of her classmates fathers, who runs an auto repair shop that the local Yakuza are trying to force out of business and take over, and starts working for him. At the same time a recently released from prison, and now ill Yakuza is trying to make a new life for himself and his girl, a friend of Reiko's, who also just graduated from reform school. A fateful car crash brings the two on a collision course with each other and the brutal Yakuza clan, which can only end bloody vengeance.
ずべ公番長 はまぐれ数え唄
Director of Photography
The local yakuza gangs dominating the port of Yokohama do not take well the invasion of their territory by a daring biker gang, led by a girl in black leather outfit and cowboy hat - reminiscent of the earlier war victors. Old and new grudges lead the two girl gangs to clash in several fights. However, when one of the leaders dies, the girls end up by uniting against the male gangsters that had been using them as puppets - and it all ends in a great finale mixed battle by the seashore.
博徒外人部隊
Cinematography
A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.
日本ダービー 勝負
Director of Photography
A story about a man who stakes his life on horse racing.
現代女胴師
Cinematography
血染の代紋
Cinematography
It takes place in the sunset days of the yakuza in the 1970s. The postwar turmoil that created the black market and lubricated illegal business opportunities was giving way to Japan Inc. A young Bunta Sugawara takes over as the oyabun of a crime syndicate in Yokohama, where he is struggling to keep operations at the port there alive. As his syndicate is eroding quickly, a major heavy industries company offers his gang the chance to chase some vagrants out of a shantytown where they are squatting on land where a factory is to be built. The job would secure steady profits for Bunta's crime ring for years to come. However, Bunta and other members of his outfit grew up in the shanty, and they would be muscling their friends and neighbors. This sets the stage for an internal struggle that complicates the violent struggle with a rival mafia organization in Tokyo.
日本暴力団 組長と刺客
Director of Photography
An honorable yakuza syndicate deeply rooted in Kyoto fights for survival when a new breed of gangsters threaten their very existence.
夜の歌謡シリーズ 悪党ブルース
Director of Photography
A story about club hostesses in Osaka.
日本暴力団 組長
Director of Photography
Coming out of jail and hoping for a quiet life, Yokohama yakuza has to take the lead of his gang after the death of his boss. His small group is is taken in a crossfire between a big yakuza group from Osaka at war with the Tokyo alliance for the control of the city. He tries to keep to the old yakuza code but he is no match for the new thugs who live and fight without honor.
裏切りの暗黒街
Director of Photography
Gangsters are robbed of five hundred million yens.
夜の手配師
Cinematography
あゝ予科練
Director of Photography
The film is dedicated to the souls of flight school graduates killed in World War II. Young boys dream about becoming pilots and apply to flight schools. However, the flight schools have extremely demanding, harsh training, and once they finally become pilots, they must become suicide bombers and give their lives for their homeland.
陸軍諜報33
Director of Photography
Kazuo, a Japanese army intelligence agent, reveals a foreign intelligence network in Japan and then sent to Borneo Island with a special mission.
懲役十八年 仮出獄
Director of Photography
Three men vs. gangsters in a fight involving smuggled gold.
ギャングの帝王
Director of Photography
The 11th and final film in the Gang series. Most of the films had different directors and cast, and were only connected by the title and Toei's marketing department. Unlike the early entries, which were jazzy capers, this final entry is a prototype jitsuroku yakuza film. Just back from the war, Noboru Ando leads a gang of war vets turned gangster in the US occupied streets of Tokyo. They get into a conflict with a Chinese gang as well as the military police. Tetsuro Tamba appears as a police chief trying to bring peace to the streets; 1st wave pinky violence star Masumi Tachibana is a girl grieving his dead gangster father.
続 組織暴力
Cinematography
組織暴力
Director of Photography
A war breaks out on the streets between rivalry Yakuza clans.
男度胸で勝負する
Director of Photography
A young yakuza who respects obligation and humanity must face cruel and heartless turf wars leading to a fight to the death with his own brother.
非行少女ヨーコ
Cinematography
Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film if it wasn't shadowed by dated 60s Toei conservatism.The resulting film is a bit confused, either a rebellious youth tale chained by moral concerns, or something conceived as a morality tale trying to break free from its chains.
夜の牝犬
Cinematography
A playboy bartender pretends to be gay in order to approach women. He is in cahoots with another opportunist, a young woman who is trying to seduce a rich married man. Their attempts at making easy money can only end tragically.
夜の悪女
Cinematography
かも
Cinematography
いろ
Cinematography
にっぽん泥棒物語
Director of Photography
Gisuke Hayashida is an illegal dentist during the day and a burglar by night. One night during a burglary he witnesses a train derailment. Some communists are found guilty of causing the incident, but he knows it wasn't them. He can save innocent people but for that he must confess his own crime.
飢餓海峡
Director of Photography
Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.
路傍の石
Director of Photography
The Wayside Pebble is an effective drama about the hardships of a childhood spent with a brusque, cold-hearted father and a submissive mother. The year is 1910 and the place is a small Japanese village. Goichi is suffering because he wants to go to school, but his family is too poor to afford that luxury. Even when a kind friend agrees to help out, Goichi's father refuses to give in to his son's request for an education. Instead, he sends Goichi off to work as an indentured servant for a cold-hearted merchant and his family. As tragedy strikes and the suffering of the young boy increases, he begins to look for some way out of his bleak situation.
暴力団
Director of Photography
A gritty, noirish gangster saga.
警視庁物語 十代の足どり
Cinematography
A 16-year-old high school student Midori Matsumoto was found dead on the banks of the Tama River. The only clue is shoe marks on rubber soles. From the interview of witnesses, it became clear that Midori was walking with a guy last night. In addition, it turned out that Midori was close to a college student Kimoto, and a high school student Miyazaki. According to his friends, Miyazaki had an alibi, but Kimoto did not. A unique work in which the problems of teenage sex are considered from the point of view of the murder of a girl. The 21nd work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department.
陸軍残虐物語
Director of Photography
Director Jun'ya Satô's debut film focuses on the inhuman training of recruits, the brutal drill system that reigned in the Japanese army during World War II, where in the first two years of training, ordinary people were turned into inhuman killers. For his first film, the director was awarded the Blue Ribbon Awards in the Debutant of the Year nomination.
警視庁物語 ウラ付け捜査
Cinematography
This time, the investigation division is investigating the case of a man who confessed to killing a woman in a labyrinth 2 years ago, adhering to the constitutional provision that "confessing a suspect is not a crime." The 20nd work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department.
東京アンタッチャブル
Camera Operator
八人目の敵
Cinematography
警視庁物語 十五才の女
Cinematography
Detectives of the First Investigation Division of the Capital Police Department are investigating the murder of a 15-year-old girl, whose strangled corpse was found in the bay of the Tama River. As usual, the film runs only one hour and doesn’t depart too far from the usual formula; however, it greatly benefits from frequent outdoor locations that were missing from the previous film. It also touches far more serious topics, such as child abuse and mental insanity. 16th work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department.
警視庁物語 不在証明
Cinematography
The First Investigation Department is investigating a murder case that took place at a government agency, with particular attention to finding an alibi for the suspects. A security guard was killed in the building, the safe was broken into, but nothing was stolen. The three suspects have alibis, but who then killed the guard and broke into the safe? The 15th work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department. Sonny Chiba's first film role as one of the seven detectives.
大いなる驀進
Director of Photography
A human drama of crew and passengers on a special express train named “Sakura” from Tokyo to Nagasaki...
続少年漂流記
Director of Photography
Young boys learn survival skills on a remote island and rescue a girl abducted by a gang of foreigners.
最後の女達
Director of Photography
女ひとり大地を行く
Director of Photography
Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).
箱根風雲録
Director of Photography
A period film about a peasant revolt in the region near Mount Fuji, occasioned by high officials' depriving the farmers of their water rights.