Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Director
London-based Italian Antonio bets on everything, from the lottery to horses and soccer matches without ever winning or losing the hope of winning; so convinced that his luck is going to turn that his betting companions have started to call him "Win tomorrow". One day Antonio notices that he's being followed by a suspicious looking stranger, well - dressed and obviously rich. This happens frequently, causing Antonio to become very concerned. Alarmed, he tells wife and gambling companions about the situation, but they all just make fun of him, convincing him he's the victim of his imagination.
