R. Krishnan

Little Kannan has a heart of gold, he meets a blind girl, Meena and they become best friends. When he falls terminally ill, he resolves to pledge his eyes to Meena.

Chakravarthy, Ranjith and Prakash are childhood friends. Problems arise when Ranjith suspects Chakravarthy and Prakash to be behind the rape attempt on his wife.

Kaliyuga Kannan is a drama of faith and disbelief in God of a middle-aged couple. It tells of how the man is made to realise on becoming rich that God certainly does not neglect his faithful and wealth only brings sorrow and pain with it. He renounces all his wealth to his son and daughter-in-law and goes back to his old way of living.

When a mysterious chef arrives in a problematic household, will he be able to fix the family?

Rajan, incurs losses as Chander, a man who he helped, prospers. His mansion is sold out to Chander, who holds parties at the house. Rajan dislikes this, as he has always treated the mansion as a holy place.

Soundharam leaves his house and takes up work with Annamalai, a treacherous person. However, he finds himself in trouble after being falsely accused of various crimes committed by Annamalai.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Thangam dearly loves his blind sister, Sumathi, and wants to restore her eyesight. When Sumathi gets raped by his friend Moorthy, Thangam decides to seek revenge.

Anandhan grows up in an orphanage where Kalimuthu, the manager, mistreats the children. Soon, things get worse when Anandhan gets kidnapped after Kalimuthu learns that he is the heir of a rich family.

AVM Rajan the protagonist lives in a joint family is an easy going guy. Unfortunately AVM Rajan's father loses his eyesight in an accident and family struggles financially to run daily life. AVM Rajan joins for job and meets Vanishree.

Raju, a rich man gets along even with the poor unlike his father. He falls in love with Parvathi, a poor girl but is forced to marry Vimala because of his father. Director duo Krishnan–Panju’s Midas touch made this remake of the 1966 Bengali film “Uttar Purush” a tremendous success in Tamil. Often considered as one of Sivaji Ganesan’s all-time greats, this drama is poignant account of the tragedies that befall a young heir following an act of atrocity.

Proud, wealthy, and haughty Kiran meets with down-to-earth middle-class fellow collegian, Shekhar, and after several clashes and misunderstandings, both fall in love and decide to get married. Shekhar meets with Kiran's dominating mom and mousy dad, and is told that he must successfully pass a test that will be put to him through Kiran's mom, to which he agrees.

Anandhan, a homeless person, finds an abandoned baby boy in a temple and brings him up as his own son. However, after five years, the real parents of the kid come in search of him.

Seeta marries a poor man against her family's wishes and becomes pregnant. Savitri, her sister, is childless and yearns to have a baby so Seeta gives away her child to her sister.

Twins, who were separated at birth, reunite to bring together their divorced parents. A remake of Disney’s The Parent Trap, this uproarious comedy was a smash hit thanks to the melodious tunes penned by the legendary M. S. Viswanathan. For her adorable performance in the twin roles, Kutty Padmini became the first Tamil actress to win the National Film Award for Best Child Artist.

Sundaram, a hotel employee, dreams of becoming an actor. He meets Vijaya, who admires his innocence and sincerity, and falls in love with her. But Raghavan, Sundaram's best friend, hides the fact that he is engaged to Vijaya.

Mera Qasoor Kya Hai is a 1964 Hindi film starring Dharmendra, Nanda and Om Prakash. The film's music is by Chitragupta.

Sundaram returns from America and witnesses his father committing a murder. He takes the blame on himself and goes absconding in order to save his father.

Savithri, who does not have any kids with her husband, decides to adopt her sister's child. Things take a turn when her sister meets her child after many years and yearns for him.

Raja's frequent brush with crime forces his sister Rani to disown him, and she decides to work in Dr. Mohan's house. However, Dr. Mohan finds out the truth about Rani and her brother.

The life of an impoverished male undergoes drastic changes after he gets his siblings married.

Saraswathi is a woman separated from her husband. She and her daughter Thilakam take refuge in her sister's family in Tiruchi. Saraswathi wants her daughter Thilakam to be married to her brother Sekhar. But her uncle Sambasivam wants to marry Thilakam to a rich but old man in Bombay. Sambasivam's son Gunasekharan is against this plan and wants Thilakam to be married to Sekhar.

Madhavan marries Thangam. He takes care of Thangam’s mother and brother along with his younger brother. Meanwhile, Madhavan gives shelter to his father’s mistress and her daughter. The evil ladies allege Thangam for loose morals. The rest of the story is how they come into good terms.

Shanta agrees to marry a lesser educated man.

Kula Deivam was based on a Bengali film Banga Kora by noted writer Prabhavathi Devi Saraswathi

Mohanasundaram, a philanderer and drunkard, gets married to Chandra after he returns to India. Though he has a wife, he develops a relationship with Kantha, a prostitute.

Gunasekaran leaves Burma in the midst of World War II in order to return to India and attend his sister's wedding. However, tragedy befalls the family and they must find their place in a new Madras.

Nallathambi (NSK) a simple rural man inherits an estate from his deceased Zamindar relative. The Zamindar's daughter Pushpa (Bhanumathi) falls in love with Nallathambi. However he loves another girl (T. A. Madhuram). Bhoopathy (Sahasranamam) the estate manager has his eye on the wealth and tries to cheat Nallathambi out of it. He goads Pushpa into filing a suit that Nallathambi is mentally insane. In the end Nallathambi defeats Bhoopathy's machinations.