Olivier Mille

Dante Alighieri was a poet, philosopher and politician in 1300 Florence. The visionary author of "Inferno", the first book of the "Divine Comedy", he was both a direct witness and a narrator of his times and his poem is a remarkable geopolitical chronicle of a tumultuous period of the Middle Ages from 1300 to 1320, a time when Kings, Popes, rulers and warlords played a deadly chess game for the control of Europe. In this high end docudrama, some of the world's finest scholars will help provide historical context to the unfolding of events, making them accessible to a wide audience, and giving us a privileged viewpoint over one of the most eventful and funding chapters of European history.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

This documentary takes us behind the scenes of the Holy See and lifts the veil on the secret diplomacy of Pope Francis, the first Latin American and the first Jesuit to lead the Roman Catholic Church.

The Cold War's wildest dreams of climate control have made a spectacular comeback: from the USA to China, 'geo-engineers' promise to make climate change the way we want. And they have found powerful supporters among lobbyists and entrepreneurs. This film is an investigation into the world-wide boom in geo-engineering. How did a pseudo-science with a controversial past become a planet-wide research subject?

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. Cars loaded to the hood... packages of all kinds... men loaded with bags and stories. At sea, we are no longer in France and not yet in Algeria, and vice versa. From the singular confines of the boat, in the back and forth and the parenthesis of the journey, the crossing puts back in the heart of the passage these women and men brought up.

Documentary about the making of French director Claude Chabrol's first film Le Beau Serge in 1958.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.

A portrait of French composer Olivier Messiaen (1908–1992), through archival films from 1964 to 1987.

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.