Screenplay
First of all, "The Sacred Fire" is about the burning desire to get out there and film stuff. For some of us, recording and editing moving images is roughly equivalent to the need for air and water. This film is a free-wheeling yet structured cinematographic doodle in the silly and touching margins of daily life. It's about a guy with a track record who decides to film the journeys he takes and the love he encounters along the way. Made over the span of three years, "The Sacred Fire" embarks on the modest task of proving that pick-up a camera and film is just another way of expressing love.
Director
First of all, "The Sacred Fire" is about the burning desire to get out there and film stuff. For some of us, recording and editing moving images is roughly equivalent to the need for air and water. This film is a free-wheeling yet structured cinematographic doodle in the silly and touching margins of daily life. It's about a guy with a track record who decides to film the journeys he takes and the love he encounters along the way. Made over the span of three years, "The Sacred Fire" embarks on the modest task of proving that pick-up a camera and film is just another way of expressing love.
Writer
Félix Mandel, an internationally renowned astrophysicist, is married with a four-year-old son and often has his head in the clouds.
Director
Félix Mandel, an internationally renowned astrophysicist, is married with a four-year-old son and often has his head in the clouds.
Screenplay
God comes to Earth in order to make a film.
Director
God comes to Earth in order to make a film.
Director
A young Italian, living in Paris with his French wife, is about to become a father. Before the baby is born, Alberto must repay his father for every expense from his own birth until he left home.
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
Screenplay
Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul.
Adaptation
Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul.
Director
Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul.
Director
Director
