Marie Epstein

This portrait of the French film theorist and avant-garde director Jean Epstein (1897-1953) concentrates on the period when he filmed in Brittany, the spot where he became inspired by the sea. Using rare archive footage, Jean Epstein, Young Oceans of Cinema also looks at Epstein’s views on the specificity of the film medium.

Jean-Paul is a Frenchman who yearns to live in communist Czechoslovakia. His wish is granted when, mistaken as a masseur of a French boating team, he manages to elude the democratic authorities long enough to scamper over the Czech border.

"Altitude 3.200" asks the question and provides the premise of what would happen if a group of young people----poor, rich, discontented, bored--- were given an idyllic community in which to live. Call it a colony. Call it a village. Call it one-world. Mainly call it a futile exercise in changing human nature, mores, culture and attitudes at any altitude. For t'ain't no time before clashing personalities, petty jealousy, violence and---that old demon---love create havoc. And isn't much longer before they become re-united in the face of an avalanche that threatens to destroy them. They all return to whence they came, sadder and wiser.

As its title indicates, La Mort du Cygne (The Dying Swan) is set in the special world of the ballet. Young dance student Janine Charrat idolizes her teacher-role-model Yvette Chauvire, and will do anything to help Chauvire further herself.

As its title indicates, La Mort du Cygne (The Dying Swan) is set in the special world of the ballet. Young dance student Janine Charrat idolizes her teacher-role-model Yvette Chauvire, and will do anything to help Chauvire further herself.

Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).

Filmed in French Morocco, Itto's dialogue is spoken primarily in the tribal Chleuh language. The jingoistic story concerns a series of clashes between French occupational forces and a rebellious Chleuh chieftain. Itto (Simone Berriau), chief's daughter, becomes embroiled in a romance with a Moroccan tribesman who has gone over to the French side. It is implied in Itto that it's okay to betray one's own people if it will preserve French colonialism in Africa. To modern viewers, the rampant chauvinism in Itto is a difficult pill to swallow.

When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. Rose gives each child loving attention, and soon she's their favorite. An especially needy child is Marie, a prostitute's daughter. Rose and she bond, and Marie is jealous of all attentions paid Rose, especially those of Dr. Libois, the school's physician. When Rose inadvertently guides the children through the educational experiment of a visiting scholar, and then discloses she has a college degree and is working beneath her station, the principal wants to fire her. Is there any way she can stay? And what will happen to Marie?

When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. Rose gives each child loving attention, and soon she's their favorite. An especially needy child is Marie, a prostitute's daughter. Rose and she bond, and Marie is jealous of all attentions paid Rose, especially those of Dr. Libois, the school's physician. When Rose inadvertently guides the children through the educational experiment of a visiting scholar, and then discloses she has a college degree and is working beneath her station, the principal wants to fire her. Is there any way she can stay? And what will happen to Marie?

An orphan from Montmartre is sent to the countryside by his foster parents. Ten years later he returns in search of a girl he once knew.

A renowned doctor and his brother live and work together until the brother falls in love with Marie, a singer, and gives up medicine to be with her. After a time however, she misses her old life and goes back on the stage - an act which leads her lover to commit suicide. Later the doctor and Marie also meet, and she becomes his mistress. He finds out about his brother's suicide and goes through his artifacts looking for a clue as to what might have been the cause. He finds a photograph of Marie and realizes the truth, which decimates their relationship.

Jacques Prémont-Solène is a degenerate gambler and his losses at baccarat have bankrupted his lover, Laure Maresco. When he steals four hundred thousand francs and loses that at the gambling tables, he flees to the United States, and Nathalie takes the blame. Twenty years later, she has a flourishing career as a nightclub singer, but their son is just as inept a gambler as his father had been.

A mother sells a photo of her daughter to the press for publicity, and a daughter suddenly dies leaving the mother desperate surrounding by portraits of her daughter all around town.

The good guys win out in this sweet tale about a young orphan who is abused for much of her life but who eventually finds happiness when she marries an honest man who extricates her from her situation.

The good guys win out in this sweet tale about a young orphan who is abused for much of her life but who eventually finds happiness when she marries an honest man who extricates her from her situation.