Touraj Aslani

Due to the ISIS war, Kani (a pregnant singer) and her husband decide to leave Kurdistan. After meeting with a turkish smuggler, they have no choice but to make the extremely dangerous journey inside an emptied, claustrophobic oil tanker across the turkish border, stuck with a group of people who are also running for their lives.

Due to the ISIS war, Kani (a pregnant singer) and her husband decide to leave Kurdistan. After meeting with a turkish smuggler, they have no choice but to make the extremely dangerous journey inside an emptied, claustrophobic oil tanker across the turkish border, stuck with a group of people who are also running for their lives.

Due to the ISIS war, Kani (a pregnant singer) and her husband decide to leave Kurdistan. After meeting with a turkish smuggler, they have no choice but to make the extremely dangerous journey inside an emptied, claustrophobic oil tanker across the turkish border, stuck with a group of people who are also running for their lives.

Due to the ISIS war, Kani (a pregnant singer) and her husband decide to leave Kurdistan. After meeting with a turkish smuggler, they have no choice but to make the extremely dangerous journey inside an emptied, claustrophobic oil tanker across the turkish border, stuck with a group of people who are also running for their lives.

Heshmat is a religious guy and a candidate for the election of Tehran but when a troubled old friend finds him his troubles begin. He has to find a way to cope with these troubles.

It's about a family that has the opportunity to solve the mother's problem one night.

The story of Reza's movie is Humble Gold. His job is to bring gold and jewelry from the workshop to the shop. One day she is stealing from her and she must pay compensation. He helps his friend Louie, but Tehran's market fluctuations worsen his situation.

The story of Reza's movie is Humble Gold. His job is to bring gold and jewelry from the workshop to the shop. One day she is stealing from her and she must pay compensation. He helps his friend Louie, but Tehran's market fluctuations worsen his situation.

After having medical problems, and after a long time, Mina becomes pregnant, but she feels ignored by her husband, Hesam. Since he has become concerned and involved with the personal and family problems of his colleague Shirin, who has recently divorced from her husband...

Turkey, after the 1980 military coup. In the notorious Diyarbakır prison the prisoners decide to resist against the tortures. 14 July 1984 is the day when the biggest resistance starts.

Radical Islamist militants attack a village in Iraq where a young Yazidi love couple prepares for marriage. From that moment onwards their lives are turned into a nightmare.

Khanoom is an episodic movie focusing on three women from three different social classes who has to suffer for the sake of their beloved men.

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.

A young woman fleeing Iran via Turkey will do whatever it takes to reach the West. One evening she meets a young Turkish-Iranian man outside a club in Istanbul and offers to get him into the club for free. A a relationship develops between them and she convinces him to leave Turkey with her. They initially approach a relative of the young man, who owns a carpet shop, to help them escape but between drugs and fiery temperaments things seriously misfire. They then try to to hustle for the money they need to pay for fake passports and visas but in the carpet bazaar of Istanbul they are out of their depth.

an Iranian TV and documentary director who becomes involved in the plight of Malineh, a young woman who appeared in her latest film. Malineh is desperate to sell one of her kidneys in order to raise money for the defense of her mother, who faces hanging on a charge of murdering her husband.

The eponymous Mark is a homeless crack addict who lives in the parks of Teheran by day and steals from donation boxes (these stand on nearly every street corner) by night. Fate has pushed the once father, husband and successful resident of the United States to the margin of society and has turned him into an outcast. The film shows one night in Marks life and provides insight into the secrets of the city. The films powerful images and personal narration brings the viewer close to the experience of a man whom fate has trapped in a social role inflicted by fate, but who is, nonetheless, aware of his position and of the painful reality that surrounds him.

Iran's submission for the Academy Award for Best Foreign Language Film in 2010

A newly released prisoner and an ostensibly rich youth become aware of the place of Tsar's long lost treasure by a twist of fate.

Iranian musicians Negar and Ashkan look for band members to play at a London concert ... and the visa that allows them to leave Tehran to do so.

An elderly radio-operator travels across Kurdestan in the war-torn 80s assuring communication between lost families.

A disabled child living with his parents tries to relate emotionally to other members of his family.

Directed by Saman Salur

Habib returns to Iran after many years and goes after his fellow Aziz but finds him in an asylum not talking and not remembering anything about his past. By the request of the doctors Habib begins to tell Aziz about their past life and the story of their friendship when both were bank's employees. They grew up together and began working in the bank's security carrying bags of money, until one day when some thieves rub the money from them and run away.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

A road movie set in Iraq in 2003 during the fall of Saddam. Two Kurds are looking for the parents of a five-year-old boy who has been found in the street in tears. His name is Saddam too. At the same time the boy's parents are looking for him everywhere, worried because of the boy's name which is now taboo. All the attempts of the two Kurds to get rid of the child fail: neither the Americans nor the men of religion at the mosque want him. Little Saddam begins to become a real problem. In the streets and all around them, they are surrounded by the chaos and crazy atmosphere of those days, with violence always on the verge of exploding.

The film is set around three protagonists. Two run a gas station on the outskirts of town, on a road that gets next to no traffic anymore, and so they get next to no customers. They live and work out of a decrepit van on site, its windows covered in plastic. Sadry is a former strongman, now blind in one eye. He is the boss of the station. Yadi is his eager to please assistant, who usually annoys more than pleases. Finally there is the postman, Abbas, who longs to trade in his brakeless bicycle for a motorcycle, while he must care for his mentally ill brother.

The subject of the film is male-female relationships. Composed of 7 vignettes, "20 Fingers" features Mania Akbari and Bijan Daneshmand as a contemporary Iranian couple. The film is an intense, bumpy series of conversations and sometimes quarrels reflecting the problems facing Iranian men and women and the struggle between modernism and tradition, liberalism and conservatism.

Banned in Iran this experimental film uses fictionalized, grainy, home video footage to tell the story of the abusive relationship between a successful middle aged Iranian businessman and his 18 year old wife, Goli. She has just received a camcorder as his birthday present and the entire story is told from the view of this camcorder. Goli has lived with him and been his sex slave since he took her captive as a nine year old from her family in the Kurdish rebellion. Now she is pregnant, but as she starts to talk back to him and he discovers that she has learned English and started to read, he again is making her more and more a prisoner in his home.

Actor-director Hamid Jebelli (Pastry Girl) offers a charming portrait of a mentally challenged man looking for love in a world that largely ignores him. Feeble-minded Reza works at a bridal shop where he transports wedding dresses on his old, rickety bicycle. Reza spends his time communing with his long-dead mother at the cemetery, or with a dress mannequin in the shop window. One day, not long after the mannequin loses its head, Reza's life changes when a beautiful woman, accompanied by her maid, arrives at the store looking for bridal veils.

A young girl in Tehran accidentally gets left on the street with no head scarf. She is forced to interact with a man who keeps her company in an environment where her mishap could equal trouble.