Kostas Tsakonas

An epiphany sends a Greek cuckold on a road trip through the countryside with a desk clerk who moonlights as an undertaker.

An arrogant politician feeds his mail ego in meeting with a Russian call girl. At the same time his wife, a young hysterical star, picks a fight on set with a talk-show hostess who is in a loveless marriage with a yuppie manager who vents in therapy.

As the lights flicker on a warm August night, amidst vacant Athens' stillness, a modern bohemian flirts with a woman he just met at a phone booth, while strolling around the city's quiet night streets.

A police comedy/fantasy adventure with witches, ghosts, beautiful fairies and a cop who tries to solve a mysterious murder.

This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.

In this offering, Kostas Tsakonas (a champion of the SOV comedy of the era) as a wimpy poor guy & petty thief who lives with his nephew, is chosen by the arch-Dracula to rule Greece, since he's a long lost relative of the vampire family, and since the current Prime Minister has sucked the Greeks dry (yes, there's some awful not-so-subtle dated attempts at political satire in there as well). What follows is Tsakona's transformation and consequent attempts to adjust to his new vampiric lifestyle, while a clumsy exorcist and some of his fellow villagers are after him.

In this offering, Kostas Tsakonas (a champion of the SOV comedy of the era) as a wimpy poor guy & petty thief who lives with his nephew, is chosen by the arch-Dracula to rule Greece, since he's a long lost relative of the vampire family, and since the current Prime Minister has sucked the Greeks dry (yes, there's some awful not-so-subtle dated attempts at political satire in there as well). What follows is Tsakona's transformation and consequent attempts to adjust to his new vampiric lifestyle, while a clumsy exorcist and some of his fellow villagers are after him.

Kleovoulos is a merciless loan shark who doesn't hesitate to do anything in order to ensure his capitals.

A family is getting ready for New Year's Eve, consisted of a stubborn child and a deaf grandmother. Out of a car toy the house starts collapsing while robbers entering. Sweets made of ciment and a drill, lead them all to the hospital. All the events take place in only 24 hours.

Kostas Tsakonas is Thomas Rezilikis, a professional unemployed pontiac with a strange habit.

Pantelis Hatzikoutoules is a professional court witness who testifies after he is been paid.

Polykarpos,a poor family man, has a son whose only interest is in baskeball.

To be horned something goes and comes, but to be daring is still ridiculous. This was also the thought of July, and in order to save the wood, as the horn is impossible, he decides to find his wife's lover himself.

Kostas Tsakonas plays the role of an assassin from Chicago.

Marika is an ordinary Greek housewife living with her family in Athens. Her everyday is a living hell.

The most important political, post-military junta satire about the nation, the religion, the education, the family.

A breadwinner, Thanasis Trampas, decides to open a shop renting motorbikes. When the local bikers begin to bother him, he turns into a kamikaze to deal with them.

Thanasis an honest tax official in the tax office. He can not cope and has trouble providing the family of the necessities. So the wife is forced to go to work in a factory as a result not seen at all. !!!

A conscientious tanker driver, Thanasis Papathanasis, works hard to help his sister Afroditi study medicine. He believes that in this way he will be able to marry her off so that then he can finally marry Eleni, whom he has loved for years. His efforts, however, are all in vain, as he is constantly confronted with a corrupt establishment and political situation that generate all the prevailing misfortunes: personal, social and national.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.

In Filiatra, a half deserted township of Messinia, the remaining farmers face a constant struggle to pay off their debts to the Agricultural Bank.