Vishwa Mehra

Somen, a rich boy, loves Kajri, a village belle. The lovers get separated and Somen tries to find his lost love.

Ganga Singh lives near Gangotri with her brother, Karam. One day she comes to the assistance of a young man, Narendra Sahay, who has come with a group of Calcutta-based college students to study the source of the holy river Ganga, and to get some holy water for his wheelchair-bound paternal grandma. Both are attracted to each other, and on the next Puran Mashi get married, and spend the night in close intimacy. Narendra leaves, but promises Ganga that he will be back soon. Months go by, but he does not return. She gives birth to a son, and as soon she is able to, she starts her journey to Alipor, Calcutta, to confront Narendra and ensure a better future for their son.

A student in a prestigious college, Vishal Khanna believes he lives a wealthy lifestyle along with his businessman brother, Karan. Vishal meets with and falls in love with Neeta, the only daughter of wealthy widower, Gulabchand. Gulabchand meets with Karan and both finalize Vishal and Neeta's marriage. Then things spiral out of control when Gulabchand is killed while Karan is run over by a lorry, and ends up losing both his legs. Vishal undertakes to look after the now crippled Karan, but has more surprises to face when Police Inspector Yadav informs him that Karan was never a businessman, but a trapeze artiste in Amar Circus, and is also a suspect of a daring robbery and the murder of Gulabchand.

Rajeev falls in love with Roopa, a beautiful singer who hides the fact that half her face is disfigured. However, he soon discovers her secret after marriage and begins to ignore her.

Arjun Pandit is a 1976 Hindi movie starring Sanjeev Kumar, Ashok Kumar, and Vinod Mehra, and directed by Hrishikesh Mukherjee. Bindu, Deven Verma, Sachin, and Keshto Mukherjee play other roles in the movie. The film's music is by Sachin Dev Burman.

Seema lives a wealthy lifestyle with her widowed mom in Bombay, India. Her mother is a compassionate soul who rents out several rooms in a self-owned building, which is occupied by very poor and nearly destitute people. Seema's mom often ends up looking after her tenants financially and also gives them ample time to find money to pay the rent. Seema, who wants a luxurious lifestyle, has sold the building to Bihari, and is all set to evict the tenants forcibly. Watch what happens when Seema's mother and Rajan decide to confront her to try and stop this sale.

Shekar, a guide, leads Rekha and her professor father into the jungle only to steal a valuable necklace from a giant tribal idol. The tribesmen blame the theft on the interlopers and threaten the life of the professor until it is returned. It is up to Tarzan and Rekha to save the day, traveling to to Dehli to retrieve the gem.

Chanda, unconscious for three days goes home only to realize a stranger by the name Rajkumar claims to be her husband and calls her by the name of Rekha. Will Chanda be able to solve this mystery?

Shekhar's (Raj Kapoor) maternal grandmother Nani (Lalita Pawar) is a very loving person, and loves Shekhar dearly as a mother. She is also very religious and firm in her beliefs. She believes that every man must have a male heir to carry on the family's name. Therefore, she will only permit Shekhar to marry a woman who will bear him a son. Shekhar presents his Nani with Sunita (Waheeda Rehman), the girl he plans to marry. Nani finds out that Sunita cannot bear any children and disapproves of her. Shekar and Sunita marry anyway, and to pacify Nani, pretend that a friend's son is their's.

Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

1959 film starring Raj Kapoor, Ajit and Shammi Kapoor

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).