Takeshi Yamamoto

After Kaji, a mutual friend and actor, passed away, the director Kinoshita (Hiroshi Yamamoto), the scriptwriter Tsuboi (Keishi Nagatsuka), and the actor Funaki (Takeshi Yamamoto) leave Tokyo to visit Kaji’s hometown. After attending the wake, the three go bar-hopping at an izakaya (tavern) and hostess bar in a town they’ve never been to, but they cannot find a way to cope with Kaji’s death. The next day, they go to Kaji’s parents’ house and receive, from his younger sister, Junko, a fan letter addressed to him. The letter is from a young Korean girl, and apparently, Kaji read it many times over before he passed away. The news of the death of Kaji, who was not a famous actor even in Japan, had no way of reaching a fan in Korea. The three are left at a loss as to how to tell her the news.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

A high-school girl who lives in a rural town in Japan struggles to define her own way in life. To help her impoverished family she works as a video fetish performer which leads to problems for her and her family with a criminal underworld.

Gin is a 15-year-old boy. He knows that his father is a gay and he wonders if he might be the same. Narumi is a 15-year-old girl. Her mother tells her she should prostitute herself. Narumi decides to go to her father in Tokyo. Gin tells Narumi that he is going as well. The two 15-year-olds set out on a trip to Tokyo.

A piano teacher struggles with the dark legacy of his family: he once witnessed his father beating a man to death. Fearing a genetic inclination for violence he struggles to stay sane when he is pulled down the dark path of an illegal firm that sells revenge for hire.

When Fujio, Yoshio and Akiko were children, they saw a fantastic "Ryoumou Deer," but nobody believed them. The three siblings lived in a mountain village.

愛媛のアイドルグループ「アスナロA」は、プロデューサーの芳賀とともに精力的な活動をしている。地元のゆるキャラを助けようとしてライブに遅刻するなど、ゆるくて純情な彼女たち。一方、芳賀は東京からやってきた大手レコード会社の黒岩に、ゆるキャラとアイドルを組み合わせた新ユニット「ゆるキュン」の結成を提案される。無理難題を強いられ解散の危機が迫るアスナロAだったが…。

Shimada has been failing auditions one after another and worked as an extra in films. One day, his senior colleague invites him to audition for a company called "Friendship," where actors pretend to be the person the customer wants them to be. Accepting the job, he encounters a customer, Mio, who is planning terrorism.

Saeko and Yukako live together in a small apartment complex in Tokyo. After the Tohoku earthquake in 2011, both live in a state of unease. Saeko, who is in a divorce, is worried that her daughter is exposed to radiation. Yukako is also afraid of radiation and tries to convince her husband to move. The two become friends after Yukako tries to save Saeko after a suicide attempt.

The life of a student named Kanou is transformed when a tiny man informs him that Earth will soon be annihilated. Kanou decides to do just as he pleases with the time he has left, leading to strange adventures that could be real -- or just a dream.

沖縄国際映画祭の“地域発信型映画プロジェクト”の一環のオムニバスの1編。気鋭の富田克也、冨永昌敬とそれぞれ海外をロケ地に競作する真利子哲也監督が、マレーシアを舞台に多民族国家のギャップを温かなユーモアを交え描く。父とケンカした母が指輪を家に置き忘れ出かけたことに気づいた娘チェチェは、職場に届けようとヤギをお供に出発するが道に迷う。途方に暮れたチェチェは、言葉の通じない日本人サラリーマン（山本）に協力してもらい、母親探しの旅を続ける。

1967年(昭和42年)小学館の入社式。その重厚な雰囲気に全く合わない人物が、ホールへと近づいてくる。「お待たせざんす。ミーはたった今、花のおフランスから帰ってきたざんす」紫のスーツに出っ歯の“イヤミ”に扮して登場したのは、小学館「少年サンデー」の看板作家・赤塚不二夫(浅野忠信)だった。「ミーがチミたちに言いたいことはたったひとつ。それはバカになることざんす」そして、社員全員で“シェー”のポーズ。その中でひとりだけ呆然と立ち尽くす新入社員の武田初美(堀北真希)がいた。その姿が赤塚の目に留まり、初美の手足を掴んで無理やり“シェー”のポーズをさせようとする。「やめてくださいっ」初美は、赤塚の顔面に思いっきりパンチを炸裂させる……。この衝撃的な出会いが、やがて日本の運命を変えていく。超バカ天才漫画家・赤塚不二夫とド真面目新人編集者・武田初美との戦いの火蓋が切って落とされた……。

With everybody’s life being dominated by capitalistic tyranny, Kyoto seems to be driven into oblivion by a mysterious media mogul. Only full-blood-slacker Shinsuke seems to miss everything.

Following a film shoot gone wrong, director Koji Shiraishi finds himself forced to employ two violent criminals in his future productions.

Saya had planned a scheme so that Sakiko, who works under Makoto, would witness her sexual affair with Makoto in the office. Makoto’s home is about to become a broken one when his wife Sachiko is told of her husband’s unfaithful doings. Saya, simmering with bottomless vengeance, exploits Hayakawa, Makoto’s daughter’s private tutor, to lure Sachiko into committing adultery... and in the end, nothing can hold down sexual desires!

Makoto Toda was an earnest man who had lived an ordinary life, working as an ordinary company employee. He had built himself an average, but happy home along with his wife and his daughter. Things change however, when a new female recruit named Saya arrives at Makoto’s division. The young woman does everything she can think of to get herself closer to Makoto, and it isn’t long before the two become sexually involved. The affair first seemed as though it would end as a quiet secret only the two would ever know... However, the secret escalates slowly until it spins out of control, and Makoto’s home heads toward destruction...

Riko Narumi plays an unpopular idol who in an attempt to boost her faltering career becomes police chief for a day. During the day a robbery occurs at a convenience store and instead of letting a real police chief deal with the robbery she decides to take the matter into her own hands.

An obscure website named 'CIELO' is run by a masked woman who is paid by clients to take revenge on their behalf. A TV station employee is allowed to interview her and follow her work.

When typical Japanese high school student Rika skips school to visit her grandfather, she fails to take into account the fact that his remote village is infested with the living dead.

A magical girl and her doll must defeat an invading horde of air pirates.

高校を舞台にガールズバンドの奮闘をさわやかに描いた青春人間ドラマ。出演は『ほえる犬は噛まない』『TUBE』のべ・ドゥナ、『バトル・ロワイアル』シリーズの前田亜季、『ローレライ』の香椎由宇、そしてロックバンドBase　Ball　Bearのベーシスト・関根史織。監督は『リアリズムの宿』の山下敦弘。ハイティーンの女の子たちの心の微妙な心の揺れや高揚を繊細に描き出す。

A failing musician, Hajime decides to settle for a local DJ. He marries Miki, one of his fans, but it turns out that once in a while, she "sheds" her skin after they make love - freaking Hajime out.

Aoi Kuruma (A Blue Automobile) focuses on such a character - a part-time DJ and record-store employee named Richio (Arata). With his spiky yellow hair, wrap-around shades and pale mask of a face, Richio would seem to be an icy moon circling the distant planet of his own regard. But as Okuhara shows us from the first scene, Richio has been traumatized by a boyhood horror - and still bears the physical scars on one eye, the emotional scars in dreams and visions he can neither escape nor explain away. The sunglasses and mask are there for a reason, the pain and rage are real. At the same time, he has a straightforwardness that verges on the cruel - but this is also one of his most appealing qualities.

ヒロシと亜美は親の連れ子で、血のつながらない兄弟という間柄。ある日熱を出した亜美は、やさしく看病してくれる兄にたいして淡い恋心を抱いてしまう。

共通の友人である船木に誘われ、旅に出た若手映画監督・木下と脚本家・坪井。しかし船木は寝坊で不参加となり、2人はぎこちなく温泉街をさまようことに。そんな彼らの前に、突如素っ裸同然の女の子、敦子が現れる。

Daisuke and his girlfriend have failed at selling a smelly health drink named Akajiru in Tokyo, amassing five million yen in debts. In order to recover financially, they retreat to Daisuke's island hometown.