Patricia Nény

This is a psychological drama about Louis Riquier (Charles Berling), a veteran of the Algerian war and a divorced father whose wife (Beatrice Palme) has custody of their children and who barricades himself with the kids in his country house. The police and the press surround the house, but he does not want to surrender. Instead, he gets more and more violent. Manipulated by their father, the kids go along with the scenario, taking it as a game. The film has as background the turbulence of 1968, with all its left-wing political implications. As in the director's previous film (Vieux fusil (The Old Gun), the gun also has multiple purposes here. Literally speaking, it is the instrument of crime; metaphorically, it is the force that would liberate the poor victim from his tragic fate. But the hero is just too violent and emotionally disturbed to evoke one's pity.

The true story of General Smyslovsky and the anti-Communist 1st Russian National Army receiving shelter in Liechtenstein in 1945 and successfully resisting Soviet pressure to be returned for execution in the USSR.

A history of the French Revolution from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. The first part of the movie tells the story from 1789 until August 10, 1792 (when the King Louis XVI lost all his authority and was put in prison). The second part carries the story through the end of the terror in 1794, including the deaths by guillotine of Louis XVI, Marie-Antoinette, Danton, and Desmoulins.

Alice is the widow of a Jewish surgeon who helps the former diplomat Jerome smuggle Jews out of Austria to save them from the Nazis. The duo recruits Charles, a shoe manufacturer whose uncle is a Nazi sympathizer in the Vichy government. Charles and Alice become lovers when they are picked up in Paris by Nazi soldiers on a curfew violation.

Claire Rousset visits her ex-husband Pierre who lives in the Lyon region. For some time now, Pierre's health and that of the other inhabitants of the village has deteriorated to the point of becoming worrying.

Polish Martin Gray recalls the Holocaust, New York prosperity, and losing his wife and family.

Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.

The life of workers and their families in a construction site of a highway in 1965.

A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist.