Andrés Crespo
略歴
Andrés Crespo Arosemena is an Ecuadorian actor, director, writer and broadcaster. He is known for "Pescador" (2011), "Sin muertos no hay carnaval" (2016) and "Narcos" (2015).
Antanacio Di Felice
A precarious con artist manipulates the family of a “miracle girl” and creates a business so large and lucrative that it will inevitably get out of hand.
Ernesto
While visiting family in Ecuador, a father and son bond over an unexpected death.
Raúl
Rubén has three months to live or, probably, one year and a half with treatment. After a very complex process he decides to kill himself, before the cancer start showing symptoms. In "Translucido" we will be witnesses of his fate.
Casting
Two families dispute a land with a land dealer.
Two families dispute a land with a land dealer.
Screenplay
Two families dispute a land with a land dealer.
Jefe Wall Street
Papá de Juan
Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.
Zambrano
Elena comes back to Ecuador to help her father overcome his illness. She spends most of her time between drugs and alcohol. While visiting her grandpa in the Andes Elena gets involved in the fight for water access in an indigenous community. She gradually understands that among family secrets, corruption and dark perversions commitment and beauty can emerge.
Inside a theater of a shopping center, several actors rehearse a new play. A recognized actor with delusions of greatness and vanity, faces his decay, making the rehearsals unbearable.
Juez Neira
No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.
Lagarto
Paco Chavez's life is careless and charming. It's a life of illicit drugs and a forbidden love affair he carries with Lucia, his former high school sweetheart, now married to another man. One night, Paco and his younger brother Luis, enter their parent's home to steal a porcelain horse to pawn in order to score more drugs. Their father catches them and a fight ensues. The consequences of that fight will haunt both brothers forever.
Blanquito
Blaquito is thirty years old and lives with his mother in El Matal, a small fishing village on the coast of Ecuador. One day, the beach turns up filled with cocaine packets. Blanquito, along with his friend Lorna, decide to travel to Guayaquil, where people will pay five times more per package. Little does Blanquito realize that in the days that follow he will be staring at death in the eye and losing his head for love.
Researcher
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
Miguel Alvear
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
Angel
In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the youn magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.