Franco De Rosa's mother
Warehouseman "Franco" is set up by the son of his boss for robbery and cigarette smuggling. Can he prove his innocence and rescue his relationship with "Anna"?
Matrigna di Elda
Flora Torelli
The owner of a cosmetics factory has made a contract with Radio Sibilla for the transmission of an evening program in which the products of his company are advertised.
Clara Palozzi
The explorer Smith leaves with Laura, a beautiful but naive girl, in search of Professor Berti, who mysteriously disappeared in Africa in the midst of one of his researches.
Carlotta Spatary
Luisa
La moglie del professore
Agnes Reed, la direttrice
Grace Peterson works in department stores "Tutto per Tutti", along with many other young people. His employment contract entitling them to live in a boarding house built specifically for them by the company but on the other hand, forbid them not fall in love or marry under threat of dismissal. Still, Grace falls for Phil Golder, a violinist penniless. The director of the residence will notice and the best friend of the girl impersonate violinist girlfriend to try to save Grace dismissal.
La moglie del lord
La signora Courier
In 1830 Pierre Courier, a rich and elderly shipowner, awaits the return of his son Stefano, who has just returned from a long trip to Trinidad in the ship in which he is captain.
Ersilia
Mirna Martelli, la zia di Diana
Called to perform at the Scala, a young baritone begins a transatlantic romance with a famous pianist. The singer, having been skewered by a critic after his last performance in Milan, attempts to find a way to win over the audience and the critics, while wooing his love interest.
Mrs. Fabbri
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).