Marta Anderson

This outlandish compilation of trailers and clips spotlights the women-in-prison sub-genre of grindhouse exploitation films.

A plane crashes in the Amazon jungle, and its passengers must battle their way through cannibals, slave traders, wild animals and murderous piranha fish to safety.

Sandra is a rich widow who wants to know the beach house her late husband has left her. She goes there with her lover Odilon, an unscrupulous young man whose studies she's supporting. Helping her with the red tape is dr. Carvalho, a very conservative and old-fashioned lawyer. In her way to the house, she meets a couple of hippies, looking for a place to stay. She hires them as temporary housekeepers.

A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.

In a women's prison in Brazil, the inmates are young and beautiful, the warden is a sadist, all but one of the guards are cruel, and the nurse is an incompetent cuckoo. To make it difficult for the inmates to hide contraband, they wear no underwear. They are alternately murderous and orgiastic with each other, and they engage in sex play with some of the guards. The warden pimps out inmates to wealthy lesbians. With the help of the nurse and under the cover of Carnival, three inmates stage an escape. Once out, will they contrive to stay undiscovered, or will their natures guarantee an ill-fated end to their attempt?

As soon as Mauro, an Administration student, discovers a strong vocation for mediumship, he drops everything to go deeper and dedicate himself to Umbanda, a religion he embraces so strongly that it makes him give up his studies. Determined to open his own spiritist center, Mauro moves to the countryside.

Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator.

In a small city of Brazil, Flor, a cooking teacher, marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing who takes all her money to gamble. After his death, Flor misses the goods of the marriage so she marries again with a very correct gentleman - the owner of a drugstore. Now she's very happy with her man, but misses the erotic moments with her previous husband. One day, Vadinho comes back as a ghost to quench her desires.

Dr. Brochard, the owner of the massage clinic "Academia Mãos de Ouro" in Rio de Janeiro, fires two employees for prostituting themselves on the side to the customers. In their place he hires two virgins, Virgem and Berta who are both immediately set upon by the womanizing driver Duda de Almeida.

In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).