Makeup Artist
The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.
Makeup Artist
Key Makeup Artist
Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.
Makeup Artist
1960年代のアメリカの片田舎。チェコから移民してきた女性セルマは幼い息子ジーンを育てながら工場で働く。遺伝性の病気で視力を失いつつある彼女は、ジーンにだけは同じ運命をたどってほしくないと、手術費用を必死でためている。ところがある日、彼女はその大事な貯金を隣人の警官ビルに盗まれてしまう。しかも奪われた現金を取り戻そうとした彼女は思いがけずビルを殺した容疑で捕まり、刑務所に入れられてしまう。
Makeup Artist
Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.
Makeup Artist
A housewife's affair with a younger man goes nowhere.
Makeup Artist
This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.
Makeup Artist
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
Makeup Artist
In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sand.
Makeup Artist
七月のパリ。モンパルナスのカフェで偶然出会ったリュカとブランシュはたちまち恋におち、彼はブランシュを追ってリゾート地ビアリッツへと向かう...。
Makeup Artist
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
