Marcus Bartley

参加作品

Ormakal Marikkumo?
Cinematography
Chandrasekharan suspects his wife Parvati of cheating and kills her. After several years, she reincarnates as Amini and tells him the truth.
Ghar Ghar Ki Kahani
Cinematography
Drama about 2 neighbouring families - one which is honest but poor, and the other uses any means to rise up the ladder of wealth quickly.
Shanti Nilayam
Director of Photography
Nannha Farishta
Cinematography
Govind, Nazir and Joseph decide to give up the world of crime when a little girl enters their life.
Saathi
Director of Photography
Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.
Ram Aur Shyam
Cinematography
Abused by an oppressive brother-in-law Gajendra (Pran), Ramchandra (Dilip Kumar) runs away from home, and ends up in a small village where he is mistaken for Shyamrao (also Dilip Kumar), and must accept Ganga (Leela Mishra) and his new name or face severe exorcism. Meanwhile, Shyamrao is mistaken for Ramchandra by Anjana (Waheeda Rehman) and her dad (Nazir Hussain). When Gajendra finds out, he is enraged and attempts to beat the stuffing out of the person he thinks is his brother-in-law, but Shyamrao refuses to be abused or beaten, and all of a sudden things start changing in the household as well as in the community. It is not long before Gajendra finds out about the truth, and plans an ugly death for Shyamrao, and all those opposed to him.
Chemmeen
Director of Photography
Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.
Gundamma Katha
Director of Photography
Gundamma has two children and a stepdaughter who she mistreats. She hopes to get a son-in-law who will look after the family, but two brothers decide to teach her a lesson.
Mayabazar
Director of Photography
Balarama promises Subhadra to get his daughter married to her son. However, when he loses his kingdom to the Kauravas, Balarama has no choice but to break his promise.
Missamma
Director of Photography
Two unemployed college graduates from Madras, Rao and Mary act as if they are a married couple to get a job as school teachers in a small village called Appapuram. The story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah-a friend and ex-beggar in fooling the family they work for.
Pelli Chesi Choodu
Cinematography
A satirical comedy that deals with the negative effects of the Indian dowry system, through the marital life of Venkata Ramana and Ammadu.
Pathala Bhairavi
Director of Photography
The son of the gardener Thota Raamudu (NTR) falls in love with the princess of Ujjain (Malathi). When he faces resistance from the king, he approaches a Sorcerer (SVR), who actually plans to sacrifice this young, brave lad to the goddess Patala Bhairavi (Girija) to attain the magic statuette, which would grant any wish. Raamudu finds about this plan and sacrifices the sorcerer and obtains Paataala Bhairavi.
Shavukaru
Cinematography
Satyam, a moneylender's son, is supposed to marry his neighbour's daughter Subbulu. However, complications arise when Satyam lands in jail due to unknown reasons.
Yogi Vemana
Cinematography
It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.