In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.
Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.
In the not-too-distant future, as a final response to crime and terrorism, the U.S. government plans to broadcast a signal that will make it impossible for anyone to knowingly break the law.
Sam lives in a place where everything is polished and secrets are cleaned up and kept. So when Georgina goes missing, everyone acts like nothing happened. But Sam can't stop thinking about her, the enigma who lived next door, swimming daily in her pool. As Sam drifts back into his memories of Georgina, he comes to realise he may know more than he wants to remember.
A troubled amateur archaeologist begins a journey of self-discovery, digging up more than he bargained for whilst excavating the grounds of his late parents' house.
Meena, a 12-year-old living in a mining village in the English Midlands in 1972, is the daughter of Indian parents who've come to England to give her a better life. This idyllic existence is upset by the arrival in the village of Anita Rutter and her dysfunctional family.
