Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.
Marie is in her mid-thirties and has been with Sascha for a very long time, sometimes she does not even know for how long exactly. The next phase in their relationship is initiated as they only get naked on her fertile days. But does she really want it? The big picture? Or rather be wild and free? When the questions in her head get too loud, she hits the 'mute' button. Until she finds herself in a chalet in the mountains, with three others. Learning that no decisions are decisions. Running away is no option, so it gets straight down to the nitty-gritty.
Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.
A bride-to-be ends up on a rafting trip and meets a surprising guest: the sperm donor she's planning to use. Back in Berlin, her fiancée is visited by an ex.
On the way to the church to marry Sophie of Winterston (Luise Bähr) runs over a motorist who crosses at her bridal car. Fate makes poor man is a former boyfriend who left she to go to Africa and who has not seen for years. This coincidence makes Sophie rethink her life and let was going to be her future husband at the altar ... Adapted from the novel by Rosamunde Pilcher, Scottish writer whose works have been brought to the small screen since 1993.
