Paul Golding

An intelligent pulse of electricity moves from house to house, terrorizing occupants through their own appliances. Having already destroyed one household in a quiet neighborhood, the pulse finds itself in the home of a boy and his divorced father.

An intelligent pulse of electricity moves from house to house, terrorizing occupants through their own appliances. Having already destroyed one household in a quiet neighborhood, the pulse finds itself in the home of a boy and his divorced father.

An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.

While on a family outing, a boy, Adam, gets lost in the forest and discovers a wild boy there. Communicating by sign language, they become friends. When the wild boy is captured by scientists, Adam helps him escape.

John Cassellis is the toughest TV news reporter around. After extensively reporting about violence and racial tensions in poor communities, he discovers that his network is helping the FBI by granting them access to his footage to find suspects.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

A visual interpretation of the poem by E.E. Cummings about the life cycle of a townspeople and of one ignored couple.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

A student film by Paul Golding, with help from George Lucas, set to a song by the Surfaris. Very similar to Lucas's own short Look at Life (1965).