Dan Greene

参加作品

From Manila with Love
Animation
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
From Manila with Love
Director of Photography
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
From Manila with Love
Editor
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
From Manila with Love
Original Music Composer
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
American Grindhouse
Director of Photography
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
American Grindhouse
Co-Producer
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
American Grindhouse
Sound Editor
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
American Grindhouse
Editor
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
Fulci in the House: The Italian Master of Splatter
Editor
Lucio Fulci documentary
Strange as Angels
Grip
Emotionally scarred by a string of unsuccessful relationships, artist Marilyn Ross has her guard up when it comes to men. While she's reluctant to embark on a new romance, she also can't deny the attraction she feels upon meeting recent divorcee Rodney Porter. As sparks fly and Marilyn finds herself experiencing sexual bliss, she also feels conflicted about giving up her hard-won independence. Does finding the perfect man also mean relinquishing one's self-respect?