Recorded live at The Glyndebourne Festival Opera. Idomeneo, King of Crete, has been away from home during the long years of the Trojan War. Idamante, his son and now regent of the island, waits for his return, heralded by the arrival in Crete of Trojan prisoners. One of these prisoners is Ilia, daugher of the murdered King Priam of Troy. Idamante has fallen in love with Ilia, but is loved by Electra, daughter of the Greek King Agamemmnon, who has taken refuge in Crete. This production marked the operatic debut of Trevor Nunn. It has been much-acclaimed for its dramatic effect, blending Minoan Crete with the ritualistic delicacy of Japanese theatre. This dynamic stylisation is appropriately reclected in John Napier's considered and elegant designs. Bernhard Haitink conducts the London Philharmonic in a forceful account of the music.
A retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but strikingly less psychological and bloody than Richard Strauss's opera "Salome".
La Cenerentola is Gioachino Rossini's version of the popular Cinderella story, an exciting mixture of comedy, pathos, coloratura fireworks and masquerade. This Glyndebourne production by John Cox captures perfectly the fairy-tale spirit of the piece, matched by Allen Charles Klein's imaginative scenery, distorted like three-dimensional cut-outs in an old-fashioned story book.
In a world gone mad with languid ladies and affected gentlemen, the lovesick maidens of Castle Bunthorne forsake their handsome soldier suitors to pursue poet aesthete - and fake - Reginald Bunthorne. But he loves the village milkmaid, Patience, who doesn't like poetry or understand love. When Patience finally learns what love is, it's Reginald's rival she falls for.
