Nell Pietrzyk

The boy is in the back of the car. The parents sit in the front and argue. Once again. The argument gets louder, more complicated. Until the boy can't take it anymore and leaves the car. While walking on a highway bridge he finds a stone. He looks down at the street with so many cars passing under him. Suddenly he sees a car in which something that seems all too familiar is happening. And what he just can't take anymore.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.

By juxtaposing images as in an assemblage the film brings two characters together, a foreign man and a girl from a Germany's small village, that have more in common than it would be expected in the first sight: the interest for photography, the loneliness and an out of the social context life.