Silvina Landesman

参加作品

Hotline
Editor
Hotline gets to the heart of a small NGO based in Tel Aviv: The Hotline for Refugees and Migrants. In exactly inverse proportion to the small-scale of this human rights organization, the issues they deal with are enormous, as are the numbers of those seeking help.
Hotline
Cinematography
Hotline gets to the heart of a small NGO based in Tel Aviv: The Hotline for Refugees and Migrants. In exactly inverse proportion to the small-scale of this human rights organization, the issues they deal with are enormous, as are the numbers of those seeking help.
Hotline
Producer
Hotline gets to the heart of a small NGO based in Tel Aviv: The Hotline for Refugees and Migrants. In exactly inverse proportion to the small-scale of this human rights organization, the issues they deal with are enormous, as are the numbers of those seeking help.
Soldier/Citizen
Director
Fresh off a mandatory military tour, a group of Israeli combat soldiers participates in a series of army-sponsored courses in order to graduate from high school. Part of the curriculum is a civic studies course that asks the soldiers to contemplate issues of human rights and democracy as they pertain to Israel as a state, a nation and a country. The students engage in heated debate as the teacher repeatedly challenges them on their views and opinions, opinions formed largely from their recent and often harrowing personal experiences in the military. It’s a fascinating process, one that puts into sharp perspective some of the challenges facing modern-day Israel, a country full of violence and contradictions.
Madame Jacques on the Croisette
Assistant Editor
A César Award winning short film about an elderly Jewish couple playing cards in Cannes who find love at an unexpected age.
Madame Jacques on the Croisette
Still Photographer
A César Award winning short film about an elderly Jewish couple playing cards in Cannes who find love at an unexpected age.
Saint Clara
Script Supervisor
The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.