Anita Kanwar

参加作品

Sukhmani
A soldier faces dishonor when he tries to protect a woman.
Dhaai Akshar Prem Ke
Costume Design
Karan Khanna is an orphan and a captain in the Rajputana Armed Forces. He's madly in love with beautiful model Nisha, with whom he plans to tie the knot during his next leave.
Thodasa Roomani Ho Jaayen
Binni lacks self-confidence and is annoyed by the constant unsolicited advice from her family. However, her life takes a turn when she meets a magician.
Salaam Bombay!
Rekha Golub
After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.
Om Dar-B-Dar
Phoolkumari
Om Dar-Ba-Dar is a 1988 Indian postmodernist Hindi film directed by Kamal Swaroop and starring Anita Kanwar, Aditya Lakhia and Gopi Desai in lead roles. The film set in Ajmer and Pushkar in Rajasthan, employed nonlinear narrative and an absurdist storyline to satire mythology, arts, politics and philosophy.
Susman
A story about the "Ikat" handloom weavers of Pochampally through the master weaver Ramulu and his family struggle in time of mass-production.
Janam
Nalini
A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?
Trikal
Sylvia (Anna's mother)
Set in 1961 Goa, this is a story of a rich and influential Goan family and what happens to them over a period of time. The movie is narrated in past-tense by one of the friends of the family.
Mind of Clay
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Aadharshila
Asha
Aadharshila portrays the struggles of young people - especially graduates of the Film and Television Institute of India - to find a foothold in the Indian film industry. The film ends with the completion of the film-within-a-film.