Çetin Gürtop

Çetin Gürtop

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Çetin Gürtop

参加作品

Madde 438
Cinematography
A movie based on the "N.T. Incident," which was a result of the application of Article 438 of the former Turkish Criminal Code, which stated that the rapist of a prostitute would get less penalty.
Suçlu
Director of Photography
Biz Ayrılamayız
Cinematography
A famous singer falls in love with a handsome but married basketball player.
Psycho Woman
Director of Photography
A Turkish remake of FATAL ATTRACTION.
Akrep
Director of Photography
Murat is a handsome tour guide. He takes a job on the mob leader Temel's boat. Temel's wife Sadiye fancies him, and Murat is also attracted to her beauty. They start an affair and meet in the boat when Temel is absent. For money laundering purposes, Temel transfers all his assets to Sadiye. However, Temel finds about Sadiye's affair with Murat. He assaults Sadiye and in return Sadiye wants to kill him. When Murat learns that Temel has hurt Sadiye, he kills Temel. Sadiye finds his gun and reports Murat to the police, as she is tired of him as well. Murat understands that he has been used by Sadiye in her dirty plot. He is very disappointed and Sadiye's life will turn into a nightmare.
Vazife Uğruna
Director of Photography
Ölüm Yolu
Director of Photography
Katiller de Ağlar
Cinematography
Kayıp Kızlar
Director of Photography
Alev Alev
Director of Photography
İhtiras Fırtınası
Director of Photography
White Death
Cinematography
Meral is a show girl and drug addict and Yilmaz is a handsome police chief who fights against drug dealers. The tragic reality of the glamorous show world is revealed in the film's story. Meral's boss Haci wants her to spy on Yilmaz. However Meral and Yilmaz fall in love with each other. They work cooperatively and in a police operation headed by Yilmaz Haci and his men are caught wounded, but Meral gets shot.
The Man Who Saved the World
Cinematography
The film follows the adventures of Murat (Arkın) and Ali (Akkaya), whose spaceships crash on a desert planet following a battle, shown by using footage from Star Wars as well as Soviet and American space program newsreel clips. While hiking across the desert, they speculate that the planet is inhabited only by women. Murat does his "wolf whistle", which he uses on attractive women. However, he blows the wrong whistle and they are attacked by skeletons on horseback, which they defeat in hand-to-hand combat. The main villain soon shows up and captures the heroes, bringing them to his gladiatorial arena so they can fight. The villain tells them he is actually from Earth and is a 1,000 year old wizard. He tried to defeat Earth, but was always repelled by a shield of concentrated human brain molecules, which looks like the Death Star from Star Wars. The only way he can bypass this impenetrable defense is to use a human brain against it.
Kördüğüm
Director of Photography
Holy Sword
Cinematography
After a series of ninja attacks, a Turkish policeman who's an expert on ninjas is called for help.
The End of Fame
Director of Photography
A highly accurate autobiographic film that depicts the aftermath of Bülent Ersoy's gender change and how she, her friends and community reacts to it.
Kader Arkadaşı
Director of Photography
Gırgıriye
Director of Photography
A bear-leading gypsy from the slums struggles to get back his sweetheart who works for a pavilion runner in the city, until she feels a wistful longing for where she thinks she is belong to and turns recalcitrant against the pavilion runner.
Lo scoiattolo
Director of Photography
Canikom
Director of Photography
İşte Bizim Hikayemiz
Director of Photography
Kara Murat: Devler Savaşıyor
Cinematography
Çilekeş
Director of Photography
Vahşi Gelin
Cinematography
Baskın
Director of Photography
The Girlfriend
Cinematography
This awesome and incredibly rare Turkish/Italian co-production, starts out as a Euro crime outing and quickly turns into a dark and sleazy House on the Edge of the Park type exploitation affair with the villain Ahmet (Piero Fabiani) taking a blind man, his daughter and niece hostage at their mansion and subjecting them to all kinds of mental, physical and sexual abuse. Turkish legend Tarik Akan plays Commissioner Murat who is out to catch Ahmet - even if it means dispensing with the rule book altogether!
Bitter Memories
Cinematography
Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.
Ölmeyen Şarkı
Cinematography
Semra is a famous singer, and her daughter Cigdem goes to the Conservatoire. Cigdem falls in love with the new music teacher Bulent. There is a piece of music which Semra plays, and Cigdem is curious about it. Semra tells her daughter about her love from the youth named Kemal. Bulent also has a similar story at his home and it turns out Bulent is the son of Semra's old love Kenan. Cigdem and Bulent want to get married but Cigdem's father doesn't approve their marriage. Bulent resigns from the school and becomes a successful singer. Eventually, love beats all the difficulties and Cigdem and Bulent share a happy life together.
Kara Murat: Denizler Hakimi
Cinematography
It is the Fatih's reign.. When the ship of Naval Captain Yunus is on the way to return to the country, the ship is stopped and controlled by the Black Pirate and his men. All the the treasure and monies are taken by him. The pirate is protected by Prince Nikolas of Kos. They always plunder Turkish villages. Fatih orders Kara Murat to take care of them and save the Captain and his men.
Mağlup Edilemeyenler
Director of Photography
Murat is a successful journalist. One day a girl named Aysel is kidnapped and raped by three men. Murat is misinformed about the case, so he distorts the whole story which deeply saddens Aysel's family. Murat decides to look into this case again and finds out that the three men are sons of well-off families and writes about them in his articles. Murat's bosses ask him to resign, but Murat doesn't give up. In the end, the culprits are delivered to the justice. However, one day Murat is found dead.
Sıralardaki Heyecan
Director of Photography
Ne Umduk Ne Bulduk
Director of Photography
Baş Belası
Picture Car Coordinator
Tuzak
Director of Photography
A young man, who is a doctor, returns home when he hears that his father, the mayor, has been murdered. He begins to investigate who killed his father, his only thought was to avenge.
The Three Superboys Strike Again
Director of Photography
Kader Bağlayınca
Cinematography
Kara Murat: Kara Şövalyeye Karşı
Producer
Byzantine Prince kills Kara Murat's father and kidnaps his brother to raise him as the Black Knight to fight against Turks. Years later, Kara Murat has to face the notorious enemy in a mission to save abducted Karaca Pasha of Rumelia (IMDB).
Kara Murat: Kara Şövalyeye Karşı
Director of Photography
Byzantine Prince kills Kara Murat's father and kidnaps his brother to raise him as the Black Knight to fight against Turks. Years later, Kara Murat has to face the notorious enemy in a mission to save abducted Karaca Pasha of Rumelia (IMDB).
Şafakta Buluşalım
Director of Photography
Kara Murat: Ölüm Emri
Cinematography
Ayrı Dünyalar
Director of Photography
Kemal is a casino owner, Tayyar is after his casino. Asli goes to a boarding-school, her granny is a flower seller from whom Kemal always buys some. Asli's father is in jail. One day Kemal hits Asli with his car, they become friends. She wants him to come to the school party, introducing him as her father. Tayyar's assassin shoots Kemal, Asli nurses him as he is released from hospital. They feel close to each other, yet Kemal wants her to stay away from the mafia world, he finds out that Asli is Fatma's grandchild. Fatma tells her that Kemal is married and has children. Tayyar kidnaps Asli, he asks Kemal for his casino to set her free. Kemal meets Tayyar, a volley starts and Kemal gets fatally wounded. Asli and Kemal loved each other, unfortunately Kemal dies.
Don't Cry for Me, Mama
Director of Photography
Little Ilker's father has died when he was very small. His mother Selma is a famous singer who is always on tour. Ilker goes to boarding-school, and he misses his mother a lot. He gets disappointed when his mother doesn't come to pick him up on weekends. One day, he follows his mom to Izmir, where she is on tour...
Dikiz Aynası
Director of Photography
Karate Girl
Cinematography
Blond bombshell Filiz Akin is Zeynep, a mute girl who lives with her aging father at a farm. One day five criminals, who just escaped from prison, invades the homes and kills the father and rapes Zeynep. Because of the shock of being raped, she regains her speech and decides to take revenge on the criminals. With the help of the friendly hobo Murat (Ediz Hun) she learns to be en expert shooter, manages to take a brown belt in karate and sets out to kill them all.
The Little Cowboy
Director of Photography
Karamurat: The Sultan's Warrior
Cinematography
Sultan Khan of Ottoman Empire has fallen in love with Princess Iren of Byzantium. When he asks her father Niktol for her hand he refuses and tries to kill Khan. The Sultan's armies then attack and overtake Constantinople (now renamed Istanbul). Niktol kills Princess Iren and flees with his army to the island of Lesbos. From Lesbos, Niktol launches a series of ruthless attacks on Turkish villages resulting in the death of one of the Sultan's guard's mother. The guard, Murat, is sent by the Sultan on a mission to avenge his mother's death and bring back the head of the man who killed Iren. Murat goes undercover in Lesbos posing as Royal Guard Kostas, seeking the killers.
Bitirimler Sosyetede
Director of Photography
Two brothers with distinctive characteristics are separated at birth. They find each other while both are trying to get into high society for different reasons.
Acı Hayat
Cinematography
Vurgun
Director of Photography
Ömer the Tourist in Star Trek
Director of Photography
The Enterprise picks up a Turkish hobo.
Oyun Bitti
Director of Photography
Ayrılık
Camera Production Assistant
Cambazhane Gülü Fadime
Director of Photography
Adını Anmayacağım
Cinematography
Gul is a famous singer, married to Captain Engin, who has studied law. Engin goes to Korea during the war. One day Gul is told that he is dead. Her violinist, Cemil fancies her. One day Gul meets Engin again, yet Cemil continues molesting her. Engin takes his daughter while Gul gives becomes an alcoholic and is miserable. Engin learns about her condition and decides to go to her but in a car accident he becomes blind. Gul starts to work in their house under a false name, Seher. In the meantime she gives piano lessons to their daughter Oya. Engin regains his eyesight after a surgery. Cemil attempts to rape Oya, but Gul reaches in time, saves Oya and kills Cemil. Oya finds out that Gul is her mother and asks Engin to defend her in court. A happy future awaits all three.
Ömrümce Unutamadım
Director of Photography
The Right Way
Director of Photography
Ali gets a job and, by dint of dedication and patience, achieves a significant promotion and ends up becoming the manager of the company, as well as winning Meltem's love. However, this is not to the liking of his cousin Cihangir and his father, who instead are totally broke and want to get their revenge on Ali.
Beklenen Şarkı
Cinematography
Yumurcak Köprüaltı Çocuğu
Director of Photography
Yumurcak is a very naughty boy, living with his father Nihat who is a cab driver. One day a bar singer named Aysel gets on his car, escaping from someone. Nihat saves her and becomes her driver. Bekir who is the partner of the bar, fancies Aysel and he is very jealous of her. Another gangster kills him and puts the blame on Nihat. Yumurcak's mother Selma, having learned the news, walks carelessly on the street and gets hit by a car in an accident and becomes blind. Yumurcak finds the gun of the crime in the garden, takes it to the judge and asks for his father's release. Bekir tries to escape and he kidnaps Yumurcak. However Nihat and the inspector reach just in time. Yumurcak and his family return to their happy days.
The Vendor Girl
Cinematography
Söz Müdafaanın
Director of Photography
Selma works in a factory and looks after her bedfast mother. She is getting ready to marry Dogan the attorney, son of a rich family. Dogan's father is against the marriage, so he asks Despina the brothel keeper, to prepare a trap for Selma. Dogan believes in their plot and leaves Selma, he gets engaged to his cousin. Selma is pregnant, she starts singing in a bar. Haydar reveals her all the truth. Selma kills him as a self-defense as Haydar wants to molest her. Selma gets arrested, however Despina confesses the truth in the court and Selma, Dogan as well as their child get together.
Yarım Kalan Saadet
Cinematography
The Beautiful Chauffeur
Cinematography
The film is about the life story of Fatma, a poor girl who lost her family in an accident, when she comes to Istanbul. Fatma comes to Istanbul from Tehran after the death of her family. His goal is to find his uncle here and inherit his father's inheritance from him. Although Fatma finds her uncle, she cannot inherit her father and is forced to work as a maid in this house. His uncle's son Ali and Fatma fall in love with each other and decide to get married. Ali's family sends him to their factory in Iran to prevent this marriage. He also kicks Fatma out of the house.
Fadime
Director of Photography
Fadik is a street singer working with her three musician friends. They are homeless. As she sleeps on a deck of a boat, Erol finds her. He is the boat's owner yet she believes he is its captain. She runs into a gang and their bags get exchanged, she finds a fortune in her bag now. The money belongs to Erol, his friend Faruk robbed his factory. Fadik takes Erol as her servant, she doesn't know he is rich. Faruk's men kidnap the three musicians, Erol and Fadik meet, the police catches Faruk though he puts the blame on Fadik. In the trial the truth is revealed. In the end, Erol and Fadik start a happy new life so do the three musicians.
Yumurcak
Cinematography
Hancı
Director of Photography
Turhan (Sadri Alışık) is a young man with a happy marriage. They have a little daughter. On some evenings, her singer friend Leyla (Figen Say) at a bar where she got off the job met this young man with her appearance and tied her up. In fact, he pursues a rich life, but Turhan's income is not so possible...
Hayat Kavgası
Director of Photography
Lekeli Melek
Director of Photography
Selma lives a poor life with her sister Leyla and her alcoholic father. Leyla is the mistress of a rich man called Ziya. Selma gets a job as a secretary and her boss Suat turns out to be the man who Leyla has had a short affair with. Selma and Suat fall in love and decide to get married, but Suat's family doesn't accept her as their bride. Leyla is pregnant, she delivers a baby and returns to her lover Ziya leaving Selma the baby. Selma's father tells Suat that baby is his. Selma also tries to explain the situation but Suat doesn't believe her. Selma gets sick and is hospitalized. Leyla reveals the truth to Suat. The sad days are over for the loving couple..
Cilveli Kız
Cinematography
Kiraz is a street vendor, trying to gather enough money for her father's operation. Rich Hayrullah Bey's son Aydin is in love with Oksan, the bar singer. Hayrullah opposing their marriage, meets Kiraz on the ship and asks her help to prevent his son's marriage. Kiraz has to attract Aydin and she will get the money for the surgery in turn. Aydin doesn't give up Oksan, on their wedding day Kiraz gets disguised as the bride and Aydin gets puzzled as he opens the veil. Oksan is after Aydin's money only. Kiraz and Aydin fall in love, but now Hayrullah Bey is against their marriage. Kiraz says that she is married. Aydin goes to see her father and finds out about the truth. Hayrullah Bey and Aydin search for Kiraz who already has left home, they want to get things settled. So they do!
Dağlar Şahini
Director of Photography
Sahin works as a farmer for Hidir Aga. Sahin is in love with Zeynep who is fancied by Hidir's son Suleyman, too. Enmity comes to exist between Sahin and Hidir Aga. Hidir denounces him to the gendarme chief Hasan. Yet Hasan believes Sahin and sets him free. Hidir urges Zeynep to get engaged with his son. Sahin kidnaps Zeynep. Suleyman and his men follow them, Zeynep kills Suleyman. Hidir and his men are after them now. They find their trace. Zeynep gets injured in the fight and dies. Now, the time has come for Sahin to take revenge and death is inevitable.
Sad Love
Cinematography
Sevgi is a singer who works in a bar. Her boss Vural fancies her. Sevgi meets Selim and they fall in love. Selim is unaware of her job at the bar. Vural sends his men to Selim's father to tell him about Sevgi's job, thus prevents her marriage with Selim. Selim doesn't believe in all this. Vural shoots Selim out of jealousy, yet due to lack of evidence he gets released. Sevgi and Vural marry but she takes Selim's revenge in shooting Vural, having no reason to live anymore she shoots herself as well.
Aşka Tövbe
Director of Photography
Pranga Mahkumu
Director of Photography
Captain Talat and Necip work in charge of the security chief Mansur Pasa. Talat fancies Necip's cousin Cemile. Necip makes a plot declaring Talat a traitor. Necip wants to marry Cemile but she commits suicide on their wedding night. Talat gets out from prison and joins a gang of bandits. Necip gets engaged with Mansur Pasa's daughter Cavidan. Talat kidnaps her, and tells her father they have spent the night together. Talat is prisoned. The gang rescues him and Talat prevents Cavidan from marrying Necip by revealing the truth about Necip to her father so finally Mansur Pasa agrees to their marriage. Happy days commence for the loving couple..
Bekar Odası
Director of Photography
The Thief Girl
Cinematography
Sabah Yıldızı
Cinematography
Efkarlı Sosyetede
Cinematography
Silahlı Paşazade
Cinematography
Namus Borcu
Cinematography
Murat and Riza are two friends. They plan a robbery but Riza decides to take the whole money and denounces Murat to the police. As Murat is released, he goes to take revenge from Riza who is now a rancher. Murat falls in love with his sister Zeynep and therefore gives up with taking revenge. Riza wants to kill Murat as he finds out he is dating with Zeynep. They fight and Riza gets killed. When Zeynep tells him that she is pregnant and that she will wait for him, Murat has no other choice but surrender.
Ağır Suç
Director of Photography
Sevket is a successful attorney, happily married and father of a daughter. Shadows cast on his happy family life as his client Leyla seduces him. He leaves home and lives a terrible life. As Leyla cheats on him, Sevket wants to kill her. He kills her lover and is jailed. His wife dies and his daughter Sevgi falls in the hands of Leyla who runs a brothel. On his release, Sevket finds the trace of Sevgi and Leyla. He kills Leyla and saves his daughter. The court sets him free however, in the end the old man gets back his daughter and happiness.
İntikam Uğruna
Director of Photography
Sedat is a taxi driver. One night he helps robber without knowing. Then he is arrested in despite of his innocence. When he gets out from prison he takes an oath to revenge but one woman changes everything.
Suçsuz Firari
Cinematography
Affedilmeyen
Director of Photography
Esin lives with her uncle. She has a cousin named Bahri, who cares only about money. Esin meets the pianist Yalcin at a night club and they feel attracted to each other. Yalcin gives her music lessons, and a profound love is blossoming. Esin's uncle objects to their relationship though the two lovers get engaged. Bahri gets jealous, putting soporific in her drink, he rapes Esin. Esin gets pregnant, she breaks up with Yalcin. Her uncle believes that the trouble maker is Yalcin, he urges him to marry her. They marry, but Yalcin doesn't know about her pregnancy. Bahri secretly puts drugs into Yalcin's pocket, he gets arrested, Esin has a miscarriage out of the shock. She tells Yalcin all the truth. Yalcin is released on bail. He reaches home when Bahri is about to rape Esin. Esin shoots Bahri, Yalcin takes it upon himself. As the judge gives him the death penalty, Esin reveals the truth. He is acquitted and happy days await them.
Yankesicinin Aşkı
Cinematography
Fişek Necmi
Director of Photography
Tamirci Parçası
Director of Photography
The Angry Young Man
Director of Photography
Murat, who started a legal battle against his relatives with lawyer Sevil, begins to question his life in this process.
Birds of Exile
Cinematography
Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.
The Stranger in Town
Cinematography
A young engineer Aydin comes back to his hometown after years of education as a mining engineer in London. Selami, the owner of a local wood company, paid for Aydin's tuition and expenses. Selami has been the employer of Aydin's father in the past and he acts like an elder brother for Aydin, offers him to stay in his house. Aydin starts to work as the chief engineer in one of the mining companies. From the first day onwards Aydin opposes the mining practices imposed by Rahmi Bey, the owner of the company. He orders to stop mining and deals with the wood sellers who sell low-quality wood used to support the thrusts in the mines.
Cici Can
Cinematography
Based on a comic novel, this Turkish fantasy movie shows some resemblance to Casper.
Two Ships Side by Side
Cinematography
After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.
Tricycle
Director of Photography
Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.