Dougie Thomson

Dougie Thomson

出生 : 1951-03-24, Glasgow, Scotland, UK

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Douglas 'Doogie' Campbell Thomson (born 24 March 1951) is a Scottish musician, born in Glasgow and raised in the Rutherglen area of the city. He was the bass guitarist of progressive rock band Supertramp during much of the seventies and eighties. Thomson's musical career began in August 1969, when he joined a local Glaswegian band "The Beings". In September 1971 he joined The Alan Bown Set where he briefly worked with future Supertramp colleague, John Helliwell. In February 1972, Thomson auditioned for Supertramp, and ended up playing several gigs as a temporary stand-in. In 1973, Thomson permanently joined Supertramp and helped in the business management with Dave Margereson; he also persuaded John Helliwell to join the band. Thomson played with Supertramp on all of their most famous albums: Crime of the Century, Crisis? What Crisis?, Even in the Quietest Moments, Breakfast in America, Paris, ...Famous Last Words..., Brother Where You Bound and Free as a Bird. On the back cover of Breakfast in America was a photograph showing Thomson reading the Glasgow Herald. Thomson was a member of Supertramp until the band went on hiatus in 1988; he has not returned to the band since. Dougie Thomson played a Music Man StingRay, a Rickenbacker 4001 and a Fender Jazz Bass during his time with Supertramp. He has since become a publisher in the music business, creating Trinity Publishing, and worked with a Chicago, Illinois management company. Thomson has four children, Laura, James, Kyle and Emma. Kyle Thomson played one game of football for the Scottish team Greenock Morton in 2018. Thomson is the older brother of Ali Thomson. Source: Article "Dougie Thomson" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Dougie Thomson

参加作品

Supertramp: Live in Paris '79
Self - Bass
Supertramp’s “Breakfast In America” was the biggest selling album in the world in 1979. It spawned several hit singles and went on to win two Grammy Awards and sell in excess of 20 million copies. Following the album’s release Supertramp embarked on a 10 month world tour which arrived in Paris at the end of November. This show from the Pavillon de Paris was both filmed and recorded. The audio went on to form the basis of the 1980 live album “Paris” but the film was never released. Now for the first time, transferred and restored to full HD from the original 16mm film, this footage is available to Supertramp’s legion of fans worldwide. The sound has been remixed by original sound engineer and co-producer Pete Henderson from the original multi-tracks and can now be heard in 5.1. This is a legendary show by a legendary band performing at their absolute peak and is a must for any Supertramp fan.
Inside Supertramp 1974-1978
Self - Bass
Supertramp was one of the last major progressive-rock bands to enjoy an international commercial breakthrough; the band had cultivated a devoted following with their witty and intelligent music since their debut in 1970, but it was 1979's Breakfast in America album which made them a household name in America and Europe. Inside Supertramp 1974-1978 - A Critical Review features rare performance footage of the band along side a panel discussion in which musicians and music writers offer their insights on this especially fruitful period in the group's history
Supertramp - Live in Munich, Germany
Self - Bass
Live in Munich, Bavaria Germany, 1983. Supertramp was started and bankrolled in 1969 by a wealthy Dutch industrialist with aspirations of forming the ulltimate "super rock group."
Supertramp - BBC in Concert
Self - bass
Over to London this weekend for a concert by 70′s legends Supertramp, recorded by the BBC as part of their Sight and Sound series on November 17, 1977. Forming in 1969, Supertramp quickly rose in popularity and established themselves as one of the most popular of the crossover Art-Rock/mainstream bands. They became a staple on FM and had a string of huge selling singles and albums. Their popularity began to fade in the 1980′s as musical tastes changed with Art-Rock falling out of favor with New Wave. The band eventually went on extended hiatus and reformed later with personnel changes. But there was a time in the mid-seventies where you couldn’t turn on a radio without hearing at least one, if not several Supertramp songs in one sitting; all of which you knew by heart.